[Footnote70:Hisaffectionforthatcityisprovedbytheepithetof\"Veronatua，\'andthelegendofthehero；underthebarbarousnameofDietrichofBern，PeringscioldandCochloeum，p。240，Maffeitraceshimwithknowledgeandpleasureinhisnativecountry，l。ix。p。230—236。]

　　[Footnote71:SeeMaffei，VeronaIllustrata，Parti。p。231，232，308，&c。HisamputesGothicarchitecture，likethecorruptionoflanguage，writing&c。，nottotheBarbarians，buttotheItaliansthemselves。ComparehissentimentswiththoseofTiraboschi，tom。iii。p。61。

　　Note:Mr。Hallamvol。iii。p。432observesthat\"theimageofTheodoric\'spalace\"isrepresentedinMaffei，notfromacoin，butfromaseal。CompareD\'AgincourtStoriadell\'arte，ItalianTransl。，Arcitecttura，Platexvii。No。2，andPittura，Platexvi。No。15，wherethereislikewiseanengravingfromamosaicinthechurchofSt。ApollinarisinRavenna，representingabuildingascribedtoTheodoricinthatcity。Neitherofthese，asMr。Hallamjustlyobserves，intheleastapproximatestowhatiscalledtheGothicstyle。TheyareevidentlythedegenerateRomanarchitecture，andmoreresembletheearlyattemptsofourarchitectstogetbackfromournationalGothicintoaclassicalGreekstyle。OneofthemcallstomindInigoJonesinnerquadrangleinSt。John\'sCollegeOxford。CompareHallamandD\'Aginconvol。i。p。140—145。—M]

　　[Footnote72:Thevillas，climate，andlandscapeofBaiae，Var。

　　ix。6；seeCluverItaliaAntiq。l。iv。c。2，p。1119，&c。，

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