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  ToMyFather

  Preface

  Thiseditionofthe`SelectPoemsofSidneyLanier’isissuedinthehopeofmakinghispoetryknowntowidercirclesthanhitherto,especiallyamongthestudentsofourhigh-schoolsandcolleges。

  Totheseastoolderpeople,thepoemswill,itisbelieved,proveaninspirationfromthestand-pointbothofliteratureandoflife。

  ThebiographicalsectionoftheIntroductionrestsinthemainuponDr。Ward’sadmirable`Memorial’prefixedtothe`PoemsofSidneyLanier’

  editedbyhiswife,thoughafewadditionalfactshavebeengleanedhereandthere。Formost*oftheBibliographydownto1888IamindebtedtomyHopkinscomrade,Dr。RichardE。Burton,nowofHartford,Conn。,whocompiledoneforthe`MemorialofSidneyLanier’,publishedbyPresidentGilman,oftheJohnsHopkinsUniversity,in1888。

  ObligationstootherpublicationsaboutLanierareineveryinstanceacknowledgedintheappropriateplace。

  ——

  *Isay`mostoftheBibliographydownto1888’,becauseDr。Burton’sdifferentpurposeledhimtoexcludeitemsthatcouldnotbeomittedinaBibliographythat,likemine,triestobecomplete。

  ——

  Astotheselectionsmade,Iwishedtoinclude`TheMarshesofGlynn’

  andyetnottoexclude`Sunrise’。Butbothcouldnotbeputin,andIfinallygavethepreferenceto`Sunrise’,chieflyonthegroundofitsbeingLanier’slatestcompletepoem。*Ibelieveallwilladmitthatthepoemsselectedfairlyexemplifythegeniusofthepoet。

  Thepoemsarearranged,notasinthecompleteedition,butintheirchronologicalorder,theonlyproperone,Ithink,foratext-book。Ofcourse,theyareallgivencomplete。

  ——

  *Lateropiniongenerallyagreesthat\"TheMarshesofGlynn\"

  isLanier’sgreatestpoem,andasthiseditionhasnolimitationsofspace,itwouldbeinappropriatetoexcludeit。Thereforeithasbeeninsertedmoreorlessinchronologicalorder(inaccordancewithCallaway’splan),withsomecomments。——AlanLight,1998。

  ——

  IntheNotesIhavemaderathercopiousquotationsfrompoemsfamiliartoEnglishscholars,becauseIhopethatthisbookwillgointothehandsofmanytowhomtheyarenotfamiliar,andtowhomtheoriginaltextsarenoteasilyaccessible。

  Andyet,iftheyatallattaintheirend,theNotesmustleadonetowishtoknowmoreofEnglishpoetry,ofwhichLanier’sisbutapart。

  AmongthefriendsthathavehelpedmebycounselorotherwiseIgratefullynameMr。CliffordLanier,brotherofthepoet;

  ProfessorWm。HandBrowne,oftheJohnsHopkinsUniversity;

  Dr。CharlesH。Ross,oftheAlabamaPolytechnicInstitute;

  andmycolleaguesintheSchoolofEnglishintheUniversityofTexas,Mr。L。R。HamberlinandProfessorLeslieWaggener。

  Chief-justiceLoganE。Bleckley,ofGeorgia,amanoflettersaswellasoflaw,verykindlyputatmyusehiscorrespondencewiththepoet,theoriginaldraftof`Corn’,andhiscriticismsuponthesame。

  Mychiefindebtedness,however,istoMrs。SidneyLanier,whohasbeenmostgenerouswithhertimeandherhusband’spapers。

  MorganCallaway,Jr。

  UniversityofTexas,October1,1894。

  ContentsIntroductionI。ABriefSketchofLanier’sLifeII。Lanier’sProseWorksIII。Lanier’sPoetry:ItsThemesIV。Lanier’sPoetry:ItsStyleV。Lanier’sTheoryofPoetryVI。ConclusionPoemsLifeandSongJones’sPrivateArgymentCornMySpringsTheSymphonyThePowerofPrayer;or,TheFirstSteamboatuptheAlabamaRose-moralsTo————,withaRoseUncleJim’sBaptistRevivalHymnTheMocking-birdSongoftheChattahoocheeTheRevengeofHamishTheMarshesofGlynnRemonstranceOppositionMarshSong——AtSunsetABalladofTreesandtheMasterSunriseBibliographySelectPoemsofSidneyLanierIntroductionI。ABriefSketchofLanier’sLife(1842-1881)

  SidneyLanierhassorecentlypassedfromusthatitseemsdesirablebrieflytorecountthechiefincidentsofhislife。ThistaskismuchlightenedbyDr。Wm。HayesWard’s`Memorial’,*uponwhich,asstatedinthePreface,isbasedthissectionofmyessay。

  BornatMacon,Ga。,February3,1842,SidneyLaniercameofafamilynotedfortheirloveandcultivationofthefinearts。

  FromthetimeofQueenElizabethtotheRestoration,severalofhispaternalancestorswereconnectedwiththeEnglishcourtasmusicalcomposersandaspainters。Thefatherofthepoet,however,RobertS。Lanier,wasamostindustriouslawyer,who,afteralingeringillnessofthreeyears,recently**answered`Adsum’

  tothesummonsofthesupremetribunal。Thepoet’smother,MaryAnderson,aVirginianofScotchdescent,likewisesprangfromafamilydistinguishedfortheirloveoforatory,music,andpoetry。

  ——

  *Forthefulltitleofworkscitedsee`Bibliography’。

  **October20,1893,atMacon,Ga。

  ——

  WithsuchanancestrywearenotsurprisedtolearnthatSidney’searliestpassionwasformusic,andthatinboyhoodhecould,althoughuntutored,playonalmosteverykindofinstrument。Hepreferredtheviolin,inplayingwhichhesometimessankintoadeeptrance,butindeferencetohisfather’sviewgaveitupfortheflute,hispoweroverwhichweshallhearoffartheron。Atfirst,strangetosay,heconsideredmusicunworthyofone’ssoleattention,butlaterhecametorankitashisfullestexpressionofworship。

  AtfourteenSidneyenteredtheSophomoreClassofOglethorpeCollege,nearMacon,Ga。,and,withayear’sintermission,graduatedwithfirsthonorin1860,whenjusteighteen。ToProfessorJamesWoodrow,ofOglethorpe,nowPresidentofSouthCarolinaCollege,Lanierdeclaredthatheowed\"thestrongestandmostvaluablestimulusofhisyouth。\"

  OngraduatinghewasgivenatutorshipinhisAlmaMater,apositionthathehelduntiltheoutbreakoftheCivilWar。

  Thelecture-roomwasnowexchangedforthebattle-field;

  inApril,1861,LanierenteredtheConfederateArmyasaprivateintheMaconVolunteersoftheSecondGeorgiaBattalion,anorganizationamongthefirsttoreachNorfolkandthatstillkeepsupitscorporateexistence。Inthespringof1862Lanierwasjoinedbyhisyoungbrother,Clifford;andthroughoutthewareachseemedtoviewiththeotherinbrotherlylove;

  for,whilebothwereofferedpromotion,neitherwouldacceptit,sincetodosowouldhaveentailedseparationfromtheother。

  Theleisuretimeofhisfirstyear’sserviceSidneyspentinthestudyofmusicandthemodernlanguages。HewasengagedinseveralbattlesinVirginia,butafterwardwastransferred,withClifford,totheSignalService,withhead-quartersatPetersburg。

  Herehehadaccesstoasmalllibrary,ofwhichhemadeseduloususe。

  In1863hiscompanywasmounted,andservedinVirginiaandNorthCarolina。

  Inthespringof1864bothbrothersweretransferredtoWilmington,thehead-quartersoftheMarineSignalService,inwhichtheyremainedtotheendofthewar。Finallythetwobrotherswereseparated,eachbecomingsignalofficer*ofablockade-runner。Sidney’svesselwascaptured,andforfivemonthshewasaprisoneratPointLookout,Md。,withnothingbuthisflutetosolacehim。Itwastheexposureofprison-life,nodoubt,thatfirstledtodeclineofhealthbydevelopingtheseedsofconsumption,adiseasethatwastocarryoffhismotherandthathewastostrugglewiththelastfifteenyearsofhislife。

  ReleasedfromprisoninFebruary,1865,hereturnedtoGeorgia,forthemostpartafoot,andreachedhomeMarch15th。

  Anaccountofhiswar-lifeisgiveninhisnovel,`Tiger-lilies’,treatedbelow。

  ——

  *Itissometimeserroneouslystatedthateachwasputinchargeofablockade-runner。

  ——

  Duringthesucceedingnineyears(1865-73)hislifewascheckeredindeed。

  Seriouslyillforsixweeks,hearosefromhisbedtoseehismothercarriedoffbyconsumptionandtofindhimselfsufferingwithcongestionofthelungs。Slightlyrelieved,Lanierturnedhishandtovariousprojectsformakingaliving:clerkinginahotelinMontgomery,Ala。,fortwoyears;writing*andpublishinghisnovel,`Tiger-lilies’;teachingatPrattville,Ala。,oneyear,duringwhichtime**

  hemarriedMissMaryDay,ofMacon,Ga。;studyingandthenpractisinglawwithhisfatheratMacon,Ga。,forfiveyears;now,inthewinterof1872-73,tryingtorecuperateatSanAntonio,Texas,forhemorrhageshadbegunin1868,andacoughhadsetintwoyearslater;and,finally,settlinginBaltimore,December,1873,todevotehimselftomusicandliterature。

  ——

  *April,1867。

  **December19,1867。

  ——

  Againsttheson’sdevotionofhislifetomusicandliteraturethefatherprotested,chieflyonbusinessgrounds,andbeggedhimtorejoinhimselfinthepracticeofthelaw。Thankinghisfatherforhisthoughtfulness,Lanierjustifiedhisowncourseintheseearnestwords:\"Mydearfather,thinkhow,fortwentyyears,throughpoverty,throughpain,throughweariness,throughsickness,throughtheuncongenialatmosphereofafarcicalcollegeandofabarearmyandthenofanexactingbusinesslife,throughallthediscouragementofbeingwhollyunacquaintedwithliterarypeopleandliteraryways——Isay,thinkhow,inspiteofallthesedepressingcircumstancesandofathousandmorewhichIcouldenumerate,thesetwofiguresofmusicandpoetryhavesteadilykeptinmyheartsothatIcouldnotbanishthem。

  Doesitnotseemtoyouastome,thatIbegintohavetherighttoenrollmyselfamongthedevoteesofthesetwosublimearts,afterhavingfollowedthemsolongandsohumbly,andthroughsomuchbitterness?\"*1*Ofcourse,thefatheryieldedanddidallthathisslendermeanswouldallowtowardkeepinguphisson,whohenceforthdevotedeveryenergytomusicandliterature。

  Despitecontinuedill-health,whichnowandagainnecessitatedvisitsofmonths’durationtoFlorida,NorthCarolina,andVirginia,Lanierdidavastamountofwork。HewasengagedasfirstfluteforthePeabodySymphonyConcerts,apositionthathefilledwithraredistinctionforsixyears。Astohisliterarywork,thisbeganwiththepublicationofhisnovel,`Tiger-lilies’,in1867,andinthesameyear,ofoccasionalpoemsin`TheRoundTable’ofNewYork。

  `Corn’,publishedin`Lippincott’sMagazine’(Philadelphia)

  forFebruary,1875,isthefirstofhispoemsthatattractedgeneralnotice,andtheonethatgainedhimthefriendshipofBayardTaylor。

  ToTaylorheowedhisselectiontowritethe`CentennialCantata’,whichgavehimstillgreaternotoriety,though,tobesure,someofitwasnotverygratefultohim。In1876theLippincottspublishedhis`Florida’,andin1877hisfirstvolumeof`Poems’,whichcontainedninety-fourpagesandconsistedchieflyofpieces*2*

  previouslypublishedinthemagazines。SoonaftersettlinginBaltimore,LaniermadeacarefulstudyofOldandMiddleEnglish,thefruitsofwhichhepartiallyembodiedincoursesoflecturesgiventohisprivateclassandtothepublic,thelatteratthePeabodyInstitute,in1879。

  Duringtheseyears,too,hehadbeensteadilyturningoutpoemsofhighorder。

  Onhisbirthday,February3,in1879,hereceivednoticeofhisappointmentasLectureronEnglishLiteratureattheJohnsHopkinsUniversityofBaltimorefortheensuingscholasticyear,withafixedsalary,thefirstsincehismarriage。Inthesummerof1879hewrotehis`ScienceofEnglishVerse’,whichconstitutedthebasisofhisfirstcourseoflecturesattheJohnsHopkinsUniversity。Notwithstandingseriousillness,thissamewinter,1879-80,helecturedatthreeprivateschoolsandkeptuphismusicalengagementatthePeabodyConcerts。

  Thenextwinter,1880-81,hecameneardying,butstillkeptwriting(`Sunrise’waswrittenwithafevertemperatureof104Degrees)

  andwentthroughhistwelvelecturesattheHopkins,afterwardsembodiedin`TheEnglishNovel’。HowtryingthismusthavebeentohimcanbegatheredfromthefollowingwordsofMr。Ward:

  \"Afewoftheearlierlectureshepennedhimself;theresthewasobligedtodictatetohiswife。Withtheutmostcareofhimself,goinginaclosedcarriageandsittingduringhislecture,hisstrengthwassoexhaustedthatthestruggleforbreathinthecarriageonhisreturnseemedeachtimetothreatentheend。

  Thosewhoheardhimlistenedinasortoffascinatedterror,asindoubtwhetherthehoardedbreathwouldsufficetotheendofthehour。\"*3*

  AfterthisatripwasmadetoNewYorktoarrangeforissuingsomebooksforboys,andfourwereissued,twoposthumously:`Boy’sFroissart’(1878),`Boy’sKingArthur’(1880),`Boy’sMabinogion’(1881),and`Boy’sPercy’(1882)。Anotherwork,anaccountofNorthCarolinasimilartothatofFlorida,wascontractedforandwasdefinitelyplanned,but,owingtoaggravatinginfirmities,couldnotbecompleted。

  ——

  *1*Ward’s`Memorial’,p。xx。f。

  *2*Theyarenamedinthe`Bibliography’。

  *3*Ward’s`Memorial’,p。xxviii。

  ——

  Fortheendwasnearathand。DesperateillnesshadmadeitnecessarytoseekreliefnearAsheville,N。C。,wherehewasjoinedbyMrs。Lanierandbyhisfatherandstep-mother。Growingnobetter,hewasmovedtoLynn,PolkCounty,N。C。Oftherestweshallhearinthewordsofhiswife:\"Weareleftalone(itisAugust29,1881)

  withoneanother。Onthelastnightofthesummercomesachange。

  Hisloveandimmortalwillholdoffthedestroyerofoursummeryetonemoreweek,untiltheforenoonofSeptember7th,andthenfallsthefrost,andthatunfalteringwillrendersitssupremesubmissiontothewillofGod。\"*Unusuallycheckeredhislifehadbeen,andyetforLanierasforTimrodpoetry(andmusic)had\"turnedlife’stastelesswatersintowine,andflushedthemthroughandthroughwithpurpletints。\"**

  ThebodywastakentoMr。Lanier’shomeinBaltimore,thencetotheChurchofSt。MichaelandAllAngels,whereserviceswereconductedbytherector,theRev。Dr。WilliamKirkus。ItwasthenburiedinGreenmountCemetery,inthelotofMr。andMrs。LawrenceTurnbull,twoofthedearestfriendsthatMr。andMrs。LanierhadinBaltimore。

  ——

  *Ward’s`Memorial’,p。xxx。

  **Timrod’s`AVisionofPoesy’,stanzaxliv。

  ——

  Mr。Lanierleftafamilyconsistingofhiswifeandfoursons。

  Mrs。Lanier,wholivesatTryon,N。C。,wastheinspirationnotonlyofthoseglorioustributes,`LausMariae’and`MySprings’,butalsoofthepoet’swholelife。Theeldestson,Mr。CharlesDayLanier,wasbornatMacon,Ga。,September12,1868,andwasgraduatedA。B。

  attheJohnsHopkinsUniversityin1888。AtonetimehewasAssistantEditorof`TheCosmopolitanMagazine’,apositionthathegaveuponlytobecomeBusinessManagerof`TheReviewofReviews’,withwhichhehasbeenconnectedfromitsbeginning。

  Heistheauthorofseveralgracefulsketchesinthemagazines。

  Thesecondson,Sidney,ispassionatelyfondofmusic,andwouldhavedevotedhimselftheretobutforlife-longill-health。

  AfterteachingthreeyearsinWestVirginia,hehasstartedafruitfarmatTryon,N。C。,wherehehopestobuilduphishealth。

  Thethirdson,HenryWysham,waspreventedfromenteringtheJohnsHopkinsbyapartialfailureofsight,andforthreeyearshasdevotedhimselftorailroadengineeringinBaltimoreandinJamaica。Theyoungest,RobertSampson,onlyfourteen,isatTryon,N。C。,withhismother。

  ThatinterestinLanier’slifeandworkdidnotceasewithhisdeath,thereisabundantevidence。OnOctober22,1881,amemorialmeetingwasheldbytheFacultyandstudentsoftheJohnsHopkinsUniversity,atwhichaddresses*1*weremadebyPresidentGilmanandProfessorWm。HandBrowne,oftheUniversity,andbytheRev。Dr。WilliamKirkus,ofBaltimore,andaletter*1*wasreadfromthepoet-critic,EdmundC。Stedman,ofNewYork。In1883`TheEnglishNovel’waspublished,andin1884the`Poems’,editedbyhiswife,withtheexcellent`Memorial’

  byDr。Wm。HayesWard,whodeclaredthathethoughtLanierwould\"takehisfinalrankwiththefirstprincesofAmericansong。\"*2*

  Numerousreviewsofhislifeandworkswerepublished,notablythosebyMr。Wm。R。Thayer,Dr。MerrillE。Gates,ProfessorCharlesW。Kent,andbytheLondon`Spectator’。OnFebruary3,1888,theJohnsHopkinsUniversityheldanothermemorialmeetinginBaltimore,attendedbymanyfromothercities。\"Abustofthepoet,inbronze(modelledbyEphraimKeyser,sculptor,inthelastperiodofLanier’slife,atthesuggestionofMr。J。R。Tait),waspresentedtotheUniversitybyhiskinsman,CharlesLanier,Esq。,ofNewYork。ItwasalsoannouncedthatacitizenofBaltimorehadofferedapedestal,tobecutinGeorgiamarblefromadesignbyMr。J。B。N。Wyatt。OnatemporarypedestalhungthefluteofLanier,whichhadsooftenbeenhissolace,andarollofhismanuscriptmusic。Thebustwascrownedwithawreathoflaurel;thewordsofLanier,`TheTimeneedsHeart’,werewovenintothestringsofaflorallyre;andotherflowers,likewisebroughtbypersonalfriends,weregroupedaroundthepedestal。

  Asamementoacard,designedbyMrs。HenryWhitman,ofBoston,wasgiventothosewhowerepresent。Uponitsfacewasawreath,withLanier’snameandthedate,andthemotto——`AspirodumExspiro’;

  uponthereverseappearedtheclosinglinesoftheHymnoftheSun,takenfromthepoet’s`HymnsoftheMarshes’——andbeneath,aflutewithivytwinedaboutit。\"*3*Theexercises,whichwereinterspersedwithmusic,wereasfollows:

  addressesbyPresidentGilmanoftheHopkinsandPresidentGatesofRutgers(nowofAmherst);selectionsfromLanier’spoetry,readbyMissSusanHayesWard,ofNewark,N。J。;apaperonLanier’s`ScienceofEnglishVerse’,byProfessorA。H。Tolman,ofRiponCollege,Wis。

  (nowoftheUniversityofChicago);poetictributesbyMrs。LawrenceTurnbull,MissEdithM。Thomas,andMessrs。JamesCummings,RichardE。Burton,andJohnB。Tabb;andlettersfromMessrs。RichardW。Gilder,EdmundC。Stedman,andJamesRussellLowell——allofwhichmaybefoundinPresidentGilman’sdainty`MemorialofSidneyLanier’。Again,areplicaoftheabove-mentionedbust,thegiftalsoofMr。CharlesLanier,wasunveiledatthepoet’sbirthplace,Macon,Ga。,onOctober17,1890;

  onwhichoccasiontendertributes*4*wereagainpouredforthinproseandverse,byMessrs。W。B。Hill,HughV。Washington,CharlesLanier,CliffordLanier,Wm。HandBrowne,CharlesG。D。Roberts,JohnB。Tabb,H。S。Edwards,Wm。H。Hayne,CharlesW。Hubner,JoelChandlerHarris,CharlesDudleyWarner,andDanielC。Gilman。

  Butmoresignificantthanthesedemonstrations,perhaps,isthesteadilygrowingstudydevotedtoLanier’sworks。

  Mr。Higginson*5*tellsus,forinstance,that,whenhewrotehistributein1887,Lanier’s`ScienceofEnglishVerse’hadbeenputuponthelistofHarvardbookstobekeptonlyafortnight,andthat,accordingtothelibrarian,itwasout\"literallyallthetime。\"

  Moreover,itwouldnotbedifficulttocitevariouspoemsthathavebeenmoreorlessmodeleduponLanier’s;itissufficient,perhaps,topointoutthatthemarsh,athemealmostunknowntopoetrybeforeLanierimmortalizedit,isnotinfrequentlythesubjectofpoetictreatmentnow,asintheworksofCharlesG。D。Roberts,*6*ClintonScollard,*7*

  andMauriceThompson。*8*Itisnoteworthy,too,thatmanyoftheyoungerpoetsoftheday,bothinCanadaandtheUnitedStates,havesungLanier’spraise。Acompletelistisgiveninthe`Bibliography’。

  Stillfurther,adevotedadmirer,Mrs。LawrenceTurnbull,ofBaltimore,in`TheCatholicMan’,hasinthepersonofPaul,thepoet,givenusanimaginativestudyofthecharacterofMr。Lanier。

  Finally,onlyafewmonthsagotheChautauquansoftheclassof1898

  determinedtocallthemselves\"TheLaniers\",inhonorofthepoetandhisbrother。

  ——

  *1*Seethe`Bibliography’。

  *2*`Memorial’,p。xi。

  *3*Gilman’s`AMemorialofSidneyLanier’,pp。5-6。

  *4*Publishedin`TheAtlanta(Ga。)Constitution’ofOctober19,1890。

  *5*See`TheChautauquan’,ascitedinthe`Bibliography’。

  *6*Seerecentfilesof`TheIndependent’(NewYork)。

  *7*Seehis`PicturesinSong’(NewYork,1884),pp。45-49。

  *8*Seehis`SongsofFairWeather’(Boston,1883),pp。27-28。

  ——

  II。Lanier’sProseWorksWiththisbriefsketchofhislife,letusturntoLanier’sworks,andfirsttothoseinprose。Attheheadofthelistcomes`Tiger-lilies’,anovelwrittenwithinthreeweeksandpublishedimmediatelythereafter,in1867。Underthefigureof\"astrange,enormous,terribleflower,\"

  theseedofwhichhehopesmayperishbeyondresurrection,theauthorpicturesthehorrorofwaringeneralandoftheCivilWarinparticular。

  Anentertaininglove-storyrunsthroughthebook,theplotofwhichspacedoesnotallowmetodetail。Inexecutionthenovelhasgravedefects:

  itlacksunity;thecharacterstalkaslearnedlyasLanierafterwardwroteofmusic;andattimes,asintheoft-quotedpictureofthewar,*1*

  thestyleisgrandiloquent;owingtowhichblemishestheauthorwiselydiscourageditsrepublication。But,inspiteofthesedefects,thebookhasoneverystronglyputscene,*2*theinterviewbetweenSmallinandhisdeserterbrother,andseveralbeautifulpassages*3*

  thatdistinctlyproclaimthehigh-souledpoet。

  ——

  *1*`Tiger-lilies’,p。115ff。

  *2*`Tiger-lilies’,p。149ff。

  *3*Thaton\"love\"(p。26)isquotedlater。

  ——

  Lanier’snextpublication,`Florida:ItsScenery,Climate,andHistory’,waswrittenbycommissionoftheAtlanticCoastLine,andappearedin1876。

  Tousetheauthor’sownepithet,`Florida’is\"aspiritualizedguide-book\"。

  Exclusiveofthe1877volumeof`Poems’,Lanier’snextoriginalworkwas`TheScienceofEnglishVerse’,whichinlecture-formwasdeliveredtothestudentsoftheJohnsHopkinsinthewinterof1879

  andwaspublishedin1880。Accordingtocompetentcritics,thebookgivesassearchinganinvestigationofthescienceofverseonitsformalsideasistobehadinanylanguage。Sincethetreatiseissoevidentlyanepoch-makingone,Iregretthatthetechnicalityofthesubjectforbidsmyattemptinginthisconnectionevenabriefexposition*ofitsprinciples。

  IcansayonlythatLaniertreatsverseinthetermsofmusic;

  that,accordingtothepromiseofthepreface,hegives\"anaccountofthetruerelationsofmusicandverse\";andthatinsodoinghehasgivenusthebestworkingtheoryforEnglishversefromCaedmontoTennyson。Thisisahighestimate,butitisbynomeanssohighasthatofthelamentedpoet-professor,EdmundRowlandSill,whosaidof`TheScienceofEnglishVerse’,\"Itistheonlyworkthathasevermadeanyapproachtoarationalviewofthesubject。

  Norarethestandardonesoverlookedinmakingthisassertion。\"**

  ——

  *ThismaybefoundinProfessorTolman’sarticle,citedinthe`Bibliography’。

  **QuotedbyTolman。

  ——

  Lanier’ssecondcourseoflecturesattheJohnsHopkinsUniversity,deliveredinthewinterandspringof1881,waspublishedin1883

  underthetitle,`TheEnglishNovelandthePrinciplesofItsDevelopment’。*

  Accordingtotheauthor’sstatement,thepurposeofthebookis\"first,toinquirewhatisthespecialrelationofthenoveltothemodernman,byvirtueofwhichithasbecomeaparamountliteraryform;

  and,secondly,toillustratethisabstractinquiry,whencompleted,bysomeconcretereadingsinthegreatestofmodernEnglishnovelists\"(p。4)。

  Addressinghimselftotheformer,Lanierattemptstoprove(1)thatourtime,whencomparedwiththatofAeschylus,showsan\"enormousgrowthinthepersonalityofman\"(p。5);(2)thatwhatwemodernscallPhysicalScience,Music,andtheNovel,allhadtheiroriginatpracticallythesametime,aboutthemiddleoftheseventeenthcentury(p。9);

  and(3)\"thattheincreaseofpersonalitiesthusgoingonhasbroughtaboutsuchcomplexitiesofrelationthattheolderformsofexpressionwereinadequatetothem;andthattheresultingnecessityhasdevelopedthewonderfullyfreeandelasticformofthemodernnoveloutofthemorerigidGreekdrama,throughthetransitionformoftheElizabethandrama\"(p。10)。Infulfilmentofhissecondpurpose,theauthorgivesadetailedstudyofseveralofthenovelsofGeorgeEliot,whomhetakestobethegreatestmodernEnglishnovelist。Eventhisbriefsynopsisofthebookmustindicateitsbroadandstimulatingcharacter,inwhichrespectitisaworthysuccessorof`TheScienceofEnglishVerse’。

  Despitethelimitationsinducedbyfailinglife,whichnecessitatedthecuttingdownofthecourseoflecturesfromtwentytotwelve,**

  Iknowoffewmorelife-givingbooks;andIventuretoassertthatitcannotsafelybeoverlookedbyanycarefulstudentofthesubject。

  ——

  *Mrs。Lanierinformsmethat`TheEnglishNovel’willsoonbeissuedinanamendedformandwithanewsub-title,`StudiesintheDevelopmentofPersonality’,whichindicatespreciselywhatMr。Lanierintendedtoattempt,andrelievesthebookofitsseemingincompletenessastoscope。

  **`Spann’。

  ——

  AmongotherproseworksImaymentionLanier’searlyextravaganza,`ThreeWaterfalls’;`Bob’,ahappyaccountofapetmocking-bird,worthyofbeingplacedbesideDr。Brown’s`RabandhisFriends’;

  hisbooksforboys:`Froissart’,`KingArthur’,`Mabinogion’,and`Percy’,whichhavehad,astheydeserve,alargesale;andhisposthumous`FromBacontoBeethoven’,ahighlyinstructiveessayonmusic。

  III。Lanier’sPoetry:ItsThemesButitischieflyasapoetthatwewishtoconsiderLanier,andIturntotheposthumouseditionofhis`Poems’gottenoutbyhiswife。

  Attheoutsetletusask,Howdidthepoetlookattheworld?

  whatproblemsengagedhisattentionandhowweretheysolved?

  Acarefulinvestigationwillshow,Ibelieve,that,despitethebrevityofhislifeanditsconsumingcares,Lanierstudiedthechiefquestionsofourage,andthatinhispoemshehasofferedusnoteworthysolutions。

  What,forinstance,ismorecharacteristicofouragethanitstendencytoagnosticism?Ipassbythemanifestationsofthisspiritintheworldofreligion,ofwhichsomuchhasbeenheard,andgiveanillustrationortwofromthefieldofhistoryandpolitics。

  PicturesquePocahontas,wearetold,isnomoretobebelievedin;

  moreover,thePilgrimFathersdidnotlandatPlymouthRock,nordidJeffersonwritetheDeclarationofIndependence。Whichwayweturnthereisabiginterrogation-point,oftennotforinformationbutfornegation。Ofthegoodresultingfromtheinquisitivespirit,weallknow;ofthebanefulinfluenceofinquisitivenessthathasbecomeamereintellectualpastimeoramateurishagnosticism,welikewisehavesomeknowledge;buttheevilsideofthistendencyhasseldombeenputmoreforcibly,Ithink,thaninthisstanzafromLanier’s`Acknowledgment’:

  \"OAgethathalfbeliev’stthouhalfbeliev’st,Halfdoubt’stthesubstanceofthineownhalfdoubt,And,halfperceivingthatthouhalfperceiv’st,Stand’statthytempledoor,heartin,headout!

  Lo!whilethyheart’swithin,helpingthechoir,Without,thineeyesrangeupanddownthetime,Blinkingato’er-brightScience,smitwithdesireToseeandnottosee。Hence,crimeoncrime。

  Yea,iftheChrist(calledthine)nowpacedyonstreet,Thyhalfnesshotwithhisrebukewouldswell;

  LegionsofscribeswouldriseandrunandbeatHisfairintolerableWholenesstwicetohell。\"*

  ——

  *`Acknowledgment’,ll。1-12。

  ——

  Morehurtfulthanagnosticism,becauseaffectinglargermassesofpeople,istherapidgrowthofthemercantilespiritduringthepresentcentury,especiallyinAmerica。Thisevilthepoetsawmostclearlyandfeltmostkeenly,aseveryonemaylearnbyreading`TheSymphony’,hisgreatpoeminwhichthespeakersarethevariousmusicalinstruments。

  Theviolinsbegin:

  \"OTrade!OTrade!wouldthouwertdead!

  TheTimeneedsheart——’tistiredofhead。\"*

  Thenallthestringedinstrumentsjoinwiththeviolinsingivingthewailofthepoor,who\"standwedgedbythepressingofTrade’shand\":

  \"`Weweaveinthemillsandheaveinthekilns,Wesievemine-meshesunderthehills,AndthievemuchgoldfromtheDevil’sbanktills,Torelieve,OGod,whatmannerofills?——

  Thebeasts,theyhunger,andeat,anddie;

  Andsodowe,andtheworld’sasty;

  Hush,fellow-swine:whynuzzleandcry?

  \"Swinehoodhathnoremedy\"

  Saymanymen,andhastenby,Clampingthenoseandblinkingtheeye。

  Butwhosaidonce,inthelordlytone,\"ManshallnotlivebybreadaloneButallthatcomethfromthethrone\"?

  HathGodsaidso?

  ButTradesaith\"No\":

  Andthekilnsandthecurt-tonguedmillssay\"Go:

  There’splentythatcan,ifyoucan’t:weknow。

  Moveout,ifyouthinkyou’reunderpaid。

  Thepoorareprolific;we’renotafraid;

  TradeisTrade。\"’

  \"ThereatthispassionateprotestingMeeklychanged,andsoftenedtillItsanktosadrequestingAndsuggestingsadderstill:

  `Andoh,ifmenmightsometimeseeHowpiteous-falsethepoordecreeThattradenomorethantrademustbe!

  Doesbusinessmean,\"Die,you——live,I\"?

  Then\"Tradeistrade\"butsingsalie:

  ’Tisonlywargrownmiserly。

  Ifbusinessisbattle,nameitso。’\"**

  ——

  *`TheSymphony’,ll。1-2。

  **`TheSymphony’,ll。31-61。

  ——

  Ofevenwidersweepthanmercantilismisthespiritofintolerance;

  for,whilethediffusionofknowledgeandofgracehasinameasurerepressedthisspirit,itlacksmuchofbeingsubdued。IdonotwonderthatLanier\"fledintearsfrommen’sungodlyquarrelaboutGod,\"

  andthat,inhispoementitled`Remonstrance’,hedenouncesintolerancewithallthevehemenceofaprophetofold。

  ButLanierhadaneyeforlife’sbeautiesaswellasitsills。

  Tohimmusicwasoneofearth’schiefblessings。Ofhisearlypassionfortheviolinandhissubstitutionoftheflutetherefor,wehavealreadylearned。Accordingtocompetentcriticshewaspossiblythegreatestflute-player*1*intheworld,afactallthemoreinterestingwhenwerememberthat,ashehimselftellsus,*2*heneverhadateacher。

  Withsuchatalentformusicthepoethasnaturallystrewnhispageswithfinetributesthereto。In`Tiger-lilies’,forinstance,hetellsusthat,whileexplorerssaythattheyhavefoundsomenationsthathadnogod,heknowsofnonethathadnomusic,andthensumsupthematterinthissentence:\"Musicmeansharmony;

  harmonymeanslove;andlovemeans——God!\"*3*EvenmoreexplicitisthisdeclarationinaletterofMay,1873,toHayne:\"Idon’tknowthatI’vetoldyouthatwhateverturnImayhaveforartispurelyMUSICAL;

  poetrybeingwithmeAMERETANGENTINTOWHICHISHOOTSOMETIMES。

  IcouldplaypassablyonseveralinstrumentsbeforeIcouldwritelegibly,andSINCEthentheverydeepestofmylifehasbeenfilledwithmusic,whichIhavestudiedandcultivatedfarmorethanpoetry。\"*4*

  Wehavealreadyseenincidentallythatinhis`Symphony’

  thespeakersaremusicalinstruments;anditisinthispoemthatoccurshisfelicitousdefinition,\"Musicisloveinsearchofaword。\"*5*

  In`ToBeethoven’hedescribestheeffectofmusicuponhimself:

  \"Iknownothow,Icarenotwhy,Thymusicbringsthisbroilatease,Andmeltsmypassion’smortalcryInsatisfyingsymphonies。

  \"Yea,itforgivesmeallmysins,Fitslifetolovelikerhymetorhyme,AndtunesthetaskeachdaybeginsBythelasttrumpet-noteofTime。\"*6*

  Itwasthisprofoundknowledgeofmusic,ofcourse,thatenabledLaniertowritehisworkon`TheScienceofEnglishVerse’,andgavehimatechnicalskillinversificationakintothatofTennyson。

  ——

  *1*SeeWard’s`Memorial’,pp。xx,xxxi。

  *2*Hayne’s(P。H。)`APoet’sLetterstoaFriend’。

  *3*`Tiger-lilies’,p。32。

  *4*Hayne’s`APoet’sLetterstoaFriend’。AftersettlinginBaltimoreLanierdevotedmoretimetopoetrythantomusic,aswemayseefromthissentencetoJudgeBleckley,inhisletterofMarch20,1876:

  \"Asforme,lifehasresolvedsimplyintoatimeduringwhichImustgetuponpaperasmanyaspossibleofthepoemswithwhichmyheartisstuffedlikeaschoolboy’spocket。\"

  *5*`TheSymphony’,l。368。

  *6*`ToBeethoven’,ll。61-68。

  ——

  Likemostgreatpoetsofmoderntimes,Lanierwasasincereloverofnature。

  Anditseemstomethatwithhimthislovewasasall-embracingaswithWordsworth。Lanierfoundbeautyinthewavingcorn*1*andtheclover;*2*

  inthemocking-bird,*3*therobin,*4*andthedove;*5*

  inthehickory,*6*thedogwood,*6*andthelive-oak;*7*

  inthemurmuringleaves*8*andthechatteringstreams;*9*

  intheoldredhills*10*andthesea;*11*intheclouds,*12*

  sunrise,*13*andsunset;*14*andeveninthemarshes,*15*

  which\"burstintobloom\"forthisworshiper。Again,Lanier’sloveofnaturewasnolessinsistentthanWordsworth’s。Weallrememberthelatter’soft-quotedlines:

  \"TomethemeanestflowerthatblowscangiveThoughtsthatdooftenlietoodeepfortears;\"*16*

  andbesidethemonemayputthislineofLanier’s,\"Thelittlegreenleaveswouldnotletmealoneinmysleep,\"*17*

  because,asthecontextshows,hewas\"Shakenwithhappiness:

  Thegatesofsleepstoodwide。\"*18*

  Andhownaiveandtenderwasthisnature-worship!Hespeaksoftheclover*19*andtheclouds*20*ascousins,andoftheleaves*21*

  assisters,andinsodoingremindsusoftheearliestItalianpoetry,especiallyof`TheCanticleoftheSun’,bySt。FrancisofAssisi,whobrothersthewind,thefire,andthesun,andsistersthewater,thestars,andthemoon。Noticethetendernessintheselinesof`Corn’:

  \"TheleavesthatwaveagainstmycheekcaressLikewomen’shands;theembracingboughsexpressAsubtletyofmightytenderness;

  Thecopse-depthsintolittlenoisesstart,Thatsoundanonlikebeatingsofaheart,Anonliketalk’twixtlipsnotfarapart;\"*22*

  towhichwefindabeautifulparallelinapoembyPaulHamiltonHayne,himselfareverentnature-worshiper:

  \"Ah!NatureseemsThroughsomethingsweeterthanalldreamsTowoome;yea,sheseemstospeakHowclosely,kindly,herfondcheekRestedonmine,hermysticbloodPulsingintenderneighborhood,Andsoftasanymortalmaid,Halfveiledinthetwilightshade,WholeansaboveherlovetotellSecretsalmostineffable!\"*23*

  Moreover,thisworshipisrestful:

  \"Oh,whatisabroadinthemarshandtheterminalsea?

  SomehowmysoulseemssuddenlyfreeFromtheweighingoffateandthesaddiscussionofsin,BythelengthandthebreadthandthesweepofthemarshesofGlynn……

  \"Bysomanyrootsasthemarsh-grasssendsinthesodIwillheartilylaymea-holdonthegreatnessofGod:

  Oh,liketothegreatnessofGodisthegreatnesswithinTherangeofthemarshes,theliberalmarshesofGlynn。\"*24*

  ButtoLaniertheministrationofnaturewasbynomeanspassive;

  andwefindhimcallingupontheleavesactivelytoministertohisneedandeventointercedeforhimtotheirMaker:

  \"Yelispers,whisperers,singersinstorms,Yeconsciencesmurmuringfaithsunderforms,Yeministersmeetforeachpassionthatgrieves,Friendly,sisterly,sweetheartleaves,Oh,rainmedownfromyourdarksthatcontainmeWisdomsyewinnowfromwindsthatpainme,——

  Siftdowntremorsofsweet-within-sweetThatadvisemeofmorethantheybring,——repeatMethewoods-smellthatswiftlybutnowbroughtbreathFromtheheaven-sidebankoftheriverofdeath,——

  Teachmethetermsofsilence,——preachmeThepassionofpatience,——siftme,——impeachme,——

  Andthere,ohthereAsyehangwithyourmyriadpalmsupturnedintheair,Praymeamyriadprayer。\"*25*

  InthisearnestascriptionofspiritualitytotheleavesLanierrecallsRuskin。*26*

  ——

  *1*See`TheWavingoftheCorn’and`Corn’。

  *2*See`Clover’。

  *3*See`TheMocking-Bird’and`ToOurMocking-Bird’。

  *4*See`TampaRobins’。

  *5*See`TheDove’。

  *6*See`FromtheFlats’,laststanza。

  *7*See`Sunrise’。

  *8*See`Sunrise’and`Corn’。

  *9*See`TheSongoftheChattahoochee’and`Sunrise’。

  *10*See`Corn’。

  *11*See`Sunrise’and`AtSunset’。

  *12*See`Individuality’。

  *13*See`Sunrise’,etc。

  *14*See`AtSunset’。

  *15*See`TheMarshesofGlynn’,andreadBarbe’stributetoLanier,citedinthe`Bibliography’。

  *16*`IntimationsofImmortality’,ll。202-203。

  *17*`TheSymphony’,l。3。

  *18*`TheSymphony’,ll。13-14。

  *19*`Clover’,l。57。

  *20*`Individuality’,l。1。

  *21*`Sunrise’,l。42。

  *22*`Corn’,ll。4-9。Compare`TheSymphony’,ll。183-190。

  *23*Hayne’s`IntheGrayofEvening’:Autumn,ll。37-46,in`Poems’(Boston,1882),p。250。

  *24*`TheMarshesofGlynn’,ll。61-64,75-78。

  *25*`Sunrise’,ll。39-53。

  *26*Seehis`ModernPainters’,vol。v。,partvi。,chapteriv。,andScudder’snotetothesameinher`IntroductiontoRuskin’

  (Chicago,1892),p。249。

  ——

  Totakeuphisnexttheme,Lanier,likeeverytrueTeuton,fromTacitustothepresent,saw\"somethingofthedivine\"inwoman。

  Itwasthisfeelingthatledhimsoseverelytocondemnavicethatissaidtobegrowing,themarriageforconvenience。Iquotefrom`TheSymphony’,andthe\"meltingClarionet\"isspeaking:

  \"SohathTradewitheredupLove’ssinewyprime,Menlovenotwomenasinoldentime。

  Ah,notinthesecoldmerchantabledaysDeemmentheirlifeanopalgray,whereplaysTheoneredsweetofgraciousladies’-praise。

  Now,comesasuitorwithsharppryingeye——

  Says,`Here,youlady,ifyou’llsell,I’llbuy:

  Come,heartforheart——atrade?What!weeping?why?’

  Shameonsuchwooer’sdapper-mercery!\"*1*

  Andthenfollowsawooingthat,tomymind,shouldbeirresistible,andthat,atanyrate,isquiteashigh-souledasBrowning’s`OneWayofLove’,whichIhavelongconsideredthehigh-water-markofthechivalrousinlove。

  TheLadyClarionetisstillspeaking:

  \"IwouldmyloverkneelingatmyfeetInhumblemanlinessshouldcry,`OSweet!

  Iknownotifthyheartmyheartwillgreet:

  Iasknotifthylovemylovecanmeet:

  Whate’erthyworshipfulsofttongueshallsay,I’llkissthineanswer,beityeaornay:

  IdobutknowIlovethee,andIprayTobethyknightuntilmydyingday。’\"*2*

  Iimagine,too,thatanywifethateverlivedwouldbesatisfiedwithhisglorioustributetoMrs。Lanierin`MySprings’,whichclosesthus:

  \"Deareyes,deareyes,andrarecomplete——

  Beingheavenly-sweetandearthly-sweet——

  ImarvelthatGodmadeyoumine,Forwhenhefrowns,’tisthenyeshine。\"*3*

  Almostequallyfelicitousaretheselinesof`Acknowledgment’:

  \"Somehowbythee,dearLove,Iwincontent:

  ThyPerfectstopsth’Imperfect’sargument。\"*4*

  ButthecleverestthingthatLanierhaswrittenofwomanoccursinhis`LausMariae’:

  \"Butthouwithinthyself,dearmanifoldheart,Dostbindallepochsinonedaintyfact。

  Oh,Sweet,myprettysumofhistory,Ileaptthebreadthoftimeinlovingthee!\"*5*

  ——ascrapworthytobeplacedbesideSteele’s\"Toloveherisaliberaleducation,\"whichhasoftenbeendeclaredthehappiestthingonthesubjectintheEnglishlanguage。

  ——

  *1*`TheSymphony’,ll。232-240。

  *2*`TheSymphony’,ll。241-248。

  *3*`MySprings’,ll。53-56。

  *4*`Acknowledgment’,ll。41-42。

  *5*`LausMariae’,ll。11-14。

  ——

  ToLaniertherewasbutonethingthatmadelifeworthliving,andthatwaslove。Eventhesuperficialreadermustbestruckwiththefrequentuseoftheterminthepoet’sworks,whileallmustbeupliftedbyhisconceptionofitspurposeandpower。

  Theillsofagnosticism,mercantilism,andintoleranceallfindtheirsolutionhereandhereonly,asisadmirablysetforthin`TheSymphony’,ofwhichtheopeningstrainis,\"Weareallforlove,\"

  andtheclosing,\"Lovealonecando。\"Thematterisnolesshappilyputin`Tiger-lilies’:\"ForIamquiteconfidentthatloveistheonlyropethrownoutbyHeaventouswhohavefallenoverboardintolife。

  Loveforman,loveforwoman,loveforGod,——thesethreechimelikebellsinasteepleandcallustoworship,whichistowork……

  Inasmuchaswelove,insomuchdoweconquerdeathandflesh;

  byasmuchaswelove,bysomucharewegods。ForGodislove;

  andcouldweloveasHedoes,wecouldbeasHeis。\"*1*

  Tothesameeffectishisstatementin`TheEnglishNovel’:

  \"Arepublicisthegovernmentofthespirit。\"*2*Thesamethoughtrecurslater:\"Inlove,andloveonly,cangreatworkthatnotonlypullsdown,butbuilds,bedone;itislove,andloveonly,thatistrulyconstructiveinart。\"*3*Inthepoementitled`HowLoveLookedforHell’,MindandSenseatLove’srequestgotoseekHell;buteverastheypointitouttoLove,whetherinthematerialortheimmaterialworld,itvanishes;forwhereLoveistherecanbenoHell,since,inthewordsofTolstoi’sstory,\"WhereLoveisthereisGod。\"ButinoneofhispoemsLaniersumsupthewholematterinaline:

  \"Whenlife’salllove,’tislife:aughtelse,’tisnaught。\"*4*

  ——

  *1*`Tiger-lilies’,p。26。

  *2*`TheEnglishNovel’,p。55。

  *3*`TheEnglishNovel’,p。204。

  *4*`InAbsence’,l。42。

  ——

  Itisbutashortwayfromlovetoitssource,——God。

  And,asLanierwascontinuallyintheatmosphereoftheone,so,Ibelieve,hewaseverinthepresenceoftheother;forthepoet’s\"LovemeansGod\"

  isbutanotherphrasingoftheevangelist’s\"Godislove\"。*1*

  OfLanier’sgriefoverchurchbroilsandofhislongingforfreedomtoworshipGodaccordingtoone’sownintuition,wehavealreadylearnedfromhis`Remonstrance’。WhathethoughtoftheChristwelearnfrom`TheCrystal’,whichcloseswiththisinvocation:

  \"ButThee,butThee,OsovereignSeeroftime,ButThee,Opoets’Poet,Wisdom’sTongue,ButThee,Oman’sbestMan,Olove’sbestLove,Operfectlifeinperfectlaborwrit,Oallmen’sComrade,Servant,King,orPriest,——

  WhatIForYET,whatmole,whatflaw,whatlapse,Whatleastdefectorshadowofdefect,Whatrumor,tattledbyanenemy,Ofinferenceloose,whatlackofgraceEvenintorture’sgrasp,orsleep’s,ordeath’s——

  Oh,whatamissmayIforgiveinThee,Jesus,goodParagon,ThouCrystalChrist?\"*2*

  HowtenderlyLanierwastouchedbythelifeofourLordmaybeseeninhis`BalladofTreesandtheMaster’,adramaticpresentationofthesceneinGethsemaneandonCalvary。HowimplicitwashistrustintheChristmaybegatheredfromthisparagraphinalettertotheelderHayne:

  \"Ihaveaboywhoseeyesareblueasyour`Aethra’s’。EverydaywhenmyworkisdoneItakehiminmystrongarms,andlifthimup,andporeinhisface。Theintenserepose,penetratedsomehowwithathrillingmysteryof`potentialactivity’,whichdwellsinhislarge,openeye,teachesmenewthings。Isaytomyself,WherearethestrongarmsinwhichI,too,mightlaymeandrepose,andyetbefullofthefireoflife?Andalwaysthroughthetwilightcomeanswersfromtheotherworld,`Master!Master!thereisone——Christ——

  inHisarmswerest!’\"*3*Perhaps,however,Lanier’snotionofGod,whomhedeclared*4*allhisroadsreached,ismostclearlyexpressedinascrapquotedbyWard,apparentlytheoutlineforapoem:

  \"Ifledintearsfromthemen’sungodlyquarrelaboutGod。

  Ifledintearstothewoods,andlaidmedownontheearth。

  Thensomewhatlikethebeatingofmanyheartscameuptomeoutoftheground;

  andIlookedandmycheeklayclosetoaviolet。Thenmyhearttookcourage,andIsaid:`IknowthatthouartthewordofmyGod,dearViolet。

  Andoh,theladderisnotlongthattomyheavenleads。

  Measurewhatspaceavioletstandsabovetheground。’Tisnofurtherclimbingthatmysoulandangelshavetodothanthat。’\"*5*InthishighspiritualityLanierisinlinewiththegreatestpoetsofourrace,from\"Caedmon,inthemornA-callingangelswiththecow-herd’scallThatlatebroughtupthecattle,\"*6*

  tohim\"Whoneverturnedhisback,butmarchedbreastforward,Neverdoubtedcloudswouldbreak,Neverdreamed,thoughrightwereworsted,wrongwouldtriumph,Heldwefalltorise,arebaffledtofightbetter,Sleeptowake。\"*7*

  ——

  *1*1John4:16。

  *2*`TheCrystal’,ll。100-111。

  *3*Hayne’s`APoet’sLetterstoaFriend’。

  *4*In`AFloridaSunday’,l。85。

  *5*Ward’s`Memorial’,p。xxxix。

  *6*Lanier’s`TheCrystal’,ll。90-93。

  *7*Browning’s`Asolando’:Epilogue,ll。11-15。

  ——

  PerhapsImayappendhereaparagraphuponLanier’scriticismsofotherwriters,fortheyseemtomeacuteintheextreme。

  DespitetheelaborateessaysindefenceofWhitman’spoetrybyDowden,*1*Symonds,*2*andWhitmanhimself,IbelieveLanierisrightindeclaringthat\"Whitmanispoetry’sbutcher。Hugerawcollopsslashedfromtherumpofpoetryandnevermindgristle——

  iswhatWhitmanfeedsoursoulswith。AsnearasIcanmakeitout,Whitman’sargumentseemstobe,that,becauseaprairieiswide,thereforedebaucheryisadmirable,andbecausetheMississippiislong,thereforeeveryAmericanisGod。\"*3*Notice,again,howwellthedefectof`ParadiseLost’ispointedout:

  \"AndIforgiveThee,Milton,thosethycomic-dreadfulwarsWhere,armedwithgrossandinconclusivesteel,ImmortalssmiteimmortalsmortalwiseAndfillallheavenwithfolly。\"*4*

  FewbetterthingshavebeensaidofLanglandthanthis,——

  \"ThatwithbutatouchOfarthadstsungPiersPlowmantothetopOfEnglishsongs,whereof’tisdearest,nowAndmostadorable;\"*5*

  orofEmersonthanthis,——

  \"Mostwise,thatyet,infindingWisdom,lostThySelf,sometimes;\"*6*

  orofTennysonthanthis,——

  \"LargestvoiceSinceMilton,yetsomeregisterofwitWanting。\"*7*

  `TheCrystal’aboundsinsuchhappycharacterizations。

  ——

  *1*SeeDowden’s`StudiesinLiterature’,pp。468-523。

  *2*SeeSymonds’s`WaltWhitman:AStudy’。London,1893。

  *3*Ward’s`Memorial’,p。xxxviii。

  *4*`TheCrystal’,ll。66-70。

  *5*Ibid。,ll。87-90。

  *6*Ibid。,ll。93-94。

  *7*Ibid。,ll。95-97。

  ——

  IV。Lanier’sPoetry:ItsStyleSomuchforthepoet’sthoughts;whatshallwesayoftheirexpression?

  Inotherwords,isLaniertheliteraryartistequaltoLaniertheseer?

  Inorderthebettertoanswerthisquestion,letusbeginatthebeginning,withtheelementsofstyle,someofwhich,however,Ipassbyasnotcallingforspecialcomment。

  OfLanier’sfelicitouschoiceofwordswehavealreadyhadincidentalillustration;butitisdesirable,perhaps,togrouphereafewofhishappiestphrases,toshowthat,asLowell*1*said,heis\"amanofgeniuswithararegiftforthehappyword。\"

  Noticethisspeechaboutthebrook:

  \"Anddownthehollowfromafernynook`Lull’singsalittlebrook!\"*2*

  andthisofthewell-bucket:

  \"TherattlingbucketplumpsSousedownthewell;\"*3*

  andthisoftheoutburstofabird:

  \"Dumbwoods,haveyeutteredabird?\"*4*

  andthedescriptionofamocking-birdas\"YontrimShakspereonthetree;\"*5*

  andofmidnightas\"Death’sandtruth’sunlockingtime。\"*6*

  Moreover,itshouldbeobservedthatLanierfrequentlyusessignificantcompounds,——ahabitacquired,nodoubt,fromhisstudyofOldEnglish,inwhich,asinGerman,suchcompoundsabound。

  ——

  *1*See`Lowell’in`Bibliography’。

  *2*`FromtheFlats’,ll。23-24;citedbyGates。[Line24waschanged(to\"Brightleapsalivingbrook!\")inlatereditions。——A。L。,1998。]

  *3*`Clover’,ll。29-30。

  *4*`Sunrise’,l。57;citedbyGates。

  *5*`TheMocking-Bird’,l。14。

  *6*`TheCrystal’,l。1。Otherillustrationsmaybefoundintheparagraphonfiguresofspeech。

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