第27章
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  Inhischeerfulalertness,self-possession,andgenialsuavityBrowningimpressedhimasanAmericanratherthanasanEnglishman,thoughtherecanbenoquestionbutthatnomorethoroughEnglishmanthanthepoeteverlived。Itisamistake,ofcourse,tospeakofhimasatypicalEnglishman:fortypicalhewasnot,exceptinaveryexclusivesense。BayardTaylordescribeshiminreportorialfashionasbeingapparentlyaboutseven-and-thirtyafairlycloseguess,withhisdarkhairalreadystreakedwithgreyaboutthetemples:withafaircomplexion,justtingedwithfaintestolive:

  eyeslarge,clear,andgrey,andnosestrongandwell-cut,mouthfullandratherbroad,andchinpointed,thoughnotprominent:

  aboutthemediumheight,strongintheshoulders,butslenderatthewaist,withmovementsexpressiveofacombinationofvigourandelasticity。

  Withdueallowanceforthepassageoffive-and-thirtyyears,thisdescriptionwouldnotbeinaccurateofBrowningtheseptuagenarian。

  TheydidnotreturndirecttoItalyafterall,butwinteredinPariswithRobertBrowningtheelder,whohadretiredtoasmallhouseinastreetleadingofftheChampsElysees。ThepensionhedrewfromtheBankofEnglandwasasmallone,but,withwhatheotherwisehad,wassufficientforhimtoliveincomfort。Theoldgentleman’shealthwassuperbtothelast,forhediedin1866withouteverhavingknownaday’sillness。

  SpringcameoutandfoundthemstillinParis,Mrs。BrowningenthusiasticaboutNapoleonIII。andinterestedinspiritualism:

  herhusbandserenelyscepticalconcerningboth。InthesummertheyagainwenttoLondon:buttheyappeartohaveseenmoreofKenyonandotherintimatefriendsthantohaveledabusysociallife。

  Kenyon’sfriendshipandgoodcompanyneverceasedtohaveacharmforbothpoets。Mrs。Browninglovedhimalmostasabrother:

  herhusbandtoldBayardTaylor,onthedaywhenthatgoodpoetandcharmingmancalleduponthem,andafteranothervisitorhaddepartedamanwithalargerosyfaceandrotundbody,asTaylordescribeshim“theregoesoneofthemostsplendidmenliving

  amansonobleinhisfriendship,solavishinhishospitality,solarge-heartedandbenevolent,thathedeservestobeknownallovertheworldasKenyontheMagnificent。“

  IntheearlyautumnasuddenmovetowardsItalywasagainmade,andafterafewweeksinParisandonthewaytheBrowningsfoundthemselvesathomeoncemoreinCasaGuidi。

  Butbeforethis,probablyindeedbeforetheyhadleftParisforLondon,Mr。MoxonhadpublishedthenownotoriousShelleyforgeries。

  Theseweretwenty-fivespuriousletters,butsocleverlymanufacturedthattheyatfirstdeceivedmanypeople。IntheprecedingNovemberBrowninghadbeenaskedtowriteanintroductiontothem。

  Thishehadgladlyagreedtodo,eagerashewasforasuitableopportunityofexpressinghisadmirationforShelley。Whenthelettersreachedhim,hefoundthat,genuineornot,thoughheneversuspectedtheywereforgeries,theycontainednothingofparticularimport,nothingthataffordedajustbasisforwhathehadintendedtosay。Pledgedashewas,however,towritesomethingforMr。Moxon’seditionoftheLetters,hesetaboutthecompositionofanEssay,ofageneralasmuchasofanindividualnature。

  ThishewroteinParis,andfinishedbythebeginningofDecember。

  Itdealtwiththeobjectiveandsubjectivepoet;ontherelationofthelatter’slifetohiswork;anduponShelleyinthelightofhisnature,art,andcharacter。ApartfromthecircumstancethatitistheonlyindependentprosewritingofanylengthfromBrowning’spen,thisisanexceptionallyableandinterestingproduction。

  Dr。Furnivalldeservesgeneralgratitudeforhisobtainingtheauthor’sleavetore-issueit,andforhavingpublisheditasoneofthepapersoftheBrowningSociety。Asthatenthusiasticstudentandgoodfriendofthepoetsaysinhis“foretalk“tothereprint,theessayisnoteworthy,notmerelyasasignalservicetoShelley’sfameandmemory,butforBrowning’sstatementofhisownaiminhisownwork,bothasobjectiveandsubjectivepoet。

  Thesameclearsightednessandimpartialsympathy,whicharesuchdistinguishingcharacteristicsofhisdramaticstudiesofhumanthoughtandemotion,areobviousinBrowning’sShelleyessay。

  “Itwouldbeidletoenquire,“hewrites,“ofthesetwokindsofpoeticfacultyinoperation,whichisthehigherorevenrarerendowment。

  Ifthesubjectivemightseemtobetheultimaterequirementofeveryage,theobjectiveinthestricteststatemuststillretainitsoriginalvalue。

  Foritiswiththisworld,asstarting-pointandbasisalike,thatweshallalwayshavetoconcernourselves;theworldisnottobelearnedandthrownaside,butrevertedtoandreclaimed。“

  Ofitscriticalsubtletythemoreremarkableasbyapoet-criticwhoreveredShelleythepoetandlovedandbelievedinShelleytheman

  thebestexample,perhaps,isinthosepassageswherehealludestothechargeagainstthepoet’smoralnature“chargeswhich,ifsubstantiatedtotheirwidebreadth,wouldmateriallydisturb,Idonotdeny,ourreceptionandenjoymentofhisworks,howeverwonderfultheartisticqualitiesofthese。Forwearenotsufficientlysuppliedwithinstancesofgeniusofhisordertobeabletopronouncecertainlyhowmanyofitsconstituentpartshavebeentaskedandstrainedtotheproductionofagivenlie,andhowhighandpureamoodofthecreativemindmaybedramaticallysimulatedasthepoet’shabitualandexclusiveone。“

  Thelargecharity,theliberalhumansympathy,thekeencriticalacumenofthisessay,makeonewishthattheauthorhadsparedusa“SludgetheMedium“ora“Pacchiarotto“,orevena“PrinceHohenstiel-Schwangau“,andgivenusmoreofsuchhonourableworkin“theotherharmony“。

  GladastheBrowningsweretobehomeagainatCasaGuidi,theycouldnotenjoythemidsummerheatsofFlorence,andsowenttotheBathsofLucca。Itwasadelightforthemtorambleamongthechestnut-woodsofthehighTuscanforests,andtogoamongthegrape-vineswherethesunburntvintagerswerebusy。

  OnceBrowningpaidavisittothatremotehill-streamandwaterfall,highupinaprecipitousglen,where,morethanthree-scoreyearsearlier,Shelleyhadbeenwonttoamusehimselfbysittingnakedonarockinthesunlight,reading`Herodotus’whilehecooled,andthenplungingintothedeeppoolbeneathhimtoemerge,furtherupstream,andthenclimbthroughthesprayofthewaterfalltillhewaslikeaglitteringhumanwraithinthemiddleofadissolvingrainbow。

  ThoseTuscanforests,thathighcrownofLucca,mustalwayshavespecialassociationsforloversofpoetry。HereShelleylived,raptinhisbeautifuldreams,andtranslatedthe`Symposium’

  sothathiswifemightsharesomethingofhisdelightinPlato。

  Here,tenyearslater,Heinesneered,andlaughedandwept,andsneeredagaindrankteawith“labelleIrlandaise“,flirtedwithFrancesca“laballerina“,andwrotealternatelywithafeatheredquillfromthebreastofanightingaleandwithalancetsteepedinaquafortis:andhere,aquarterofacenturyafterward,RobertandElizabethBrowningalsolaughedandweptand“joyedi’thesun,“

  dreamedmanydreams,andtouchedchordsofbeautywhosevibrationhasbecomeincorporatedwiththelargerrhythmofallthatishighandenduringinourliterature。

  OnreturningtoFlorenceBrowningwiththeMS。ofthegreaterpartofhissplendidfragmentarytragedy,“InaBalcony“,composedmainlywhilewalkingalonethroughtheforestglades,Mrs。Browningfoundthatthechillbreathofthe`tramontana’wasaffectingherlungs,soamovewasmadetoRome,forthepassingofthewinter1853-4。

  Inthespringtheirlittleboy,theirbeloved“Pen“,*becameillwithmalaria。

  ThisdelayedtheirreturntoFlorencetillwelloninthesummer。

  DuringthisstayinRomeMrs。Browningrapidlyproceededwith“AuroraLeigh“,andBrowningwroteseveralofhis“MenandWomen“,includingtheexquisite`LoveamongtheRuins’,withitsnovelmetricalmusic;

  `FraLippoLippi’,wherethepainter,alreadyimmortalisedbyLandor,hashisthirdwarrantofperpetuity;the`EpistleofKarshish’inpart;

  `Memorabilia’composedontheCampagna;`Saul’,aportionofwhichhadbeenwrittenandpublishedtenyearspreviously,thatnobleandloftyutterance,withitstrumpet-likenoteoftheregnantspirit;theconcludingpartof“InaBalcony“;

  and`HolyCrossDay’besides,probably,oneortwoothers。

  InthelatespringApril27thalso,hewrotetheshortdactyliclyric,`BenKarshook’sWisdom’。Thislittlepoemwasgiventoafriendforappearanceinoneofthethenpopular`Keepsakes’literallygiven,forBrowningnevercontributedtomagazines。Theveryfewexceptionstothisruleweretheresultofakindlinessstrongerthanscruple:

  aswhenatrequestofLordHoughtonthenMr。MoncktonMilnes,hesent`Tokay’,the`Flower’sName’,and`SibrandusSchafnaburgensis’,to“helpinmakingupsomemagazinenumbersforpoorHood,thenatthepointofdeathfromhemorrhageofthelungs,occasionedbytheenlargementoftheheart,whichhadbeenbroughtonbythewearingexcitementofceaselessandexcessiveliterarytoil。“

  As`BenKarshook’sWisdom’,thoughithasbeenreprintedinseveralquarters,willnotbefoundinanyvolumeofBrowning’sworks,andwasomittedfrom“MenandWomen“byaccident,andfromfurthercollectionsbyforgetfulness,itmaybefitlyquotedhere。Karshook,itmaybeadded,istheHebraicwordforathistle。

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