第31章
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  onewhomGerardDouwrespectedmuch,forasmuchashewasaveteranpolemic,thoughone,perhaps,moredreadedasacombatantthanbelovedasaChristian——ofpuremorality,subtlebrain,andfrozenheart。HeenteredthechamberwhichcommunicatedwiththatinwhichRosereclined,andimmediatelyonhisarrivalsherequestedhimtoprayforher,asforonewholayinthehandsofSatan,andwhocouldhopefordeliverance——onlyfromheaven。

  Thatourreadersmaydistinctlyunderstandallthecircumstancesoftheeventwhichweareaboutimperfectlytodescribe,itisnecessarytostatetherelativepositionofthepartieswhowereengagedinit。

  TheoldclergymanandSchalkenwereintheanteroomofwhichwehavealreadyspoken;Roselayintheinnerchamber,thedoorofwhichwasopen;andbythesideofthebed,atherurgentdesire,stoodherguardian;acandleburnedinthebed-

  chamber,andthreewerelightedintheouterapartmentTheoldmannowclearedhisvoice,asifabouttocommence;butbeforehehadtimetobegin,asuddengustofairblewoutthecandlewhichservedtoilluminatetheroominwhichthepoorgirllay,andshe,withhurriedalarm,exclaimed:

  ’Godfrey,bringinanothercandle;thedarknessisunsafe。’

  GerardDouw,forgettingforthemomentherrepeatedinjunctionsintheimmediateimpulse,steppedfromthebedchamberintotheother,inordertosupplywhatshedesired。

  ’OGodIdonotgo,dearuncle!’

  shriekedtheunhappygirl;andatthesametimeshesprangfromthebedanddartedafterhim,inorder,byhergrasp,todetainhim。

  Butthewarningcametoolate,forscarcelyhadhepassedthethreshold,andhardlyhadhisniecehadtimetoutterthestartlingexclamation,whenthedoorwhichdividedthetworoomsclosedviolentlyafterhim,asifswungtobyastrongblastofwind。

  Schalkenandhebothrushedtothedoor,buttheirunitedanddesperateeffortscouldnotavailsomuchastoshakeit。

  Shriekaftershriekburstfromtheinnerchamber,withallthepiercingloudnessofdespairingterror。SchalkenandDouwappliedeveryenergyandstrainedeverynervetoforceopenthedoor;butallinvain。

  Therewasnosoundofstrugglingfromwithin,butthescreamsseemedtoincreaseinloudness,andatthesametimetheyheardtheboltsofthelatticedwindowwithdrawn,andthewindowitselfgrateduponthesillasifthrownopen。

  OneLASTshriek,solongandpiercingandagonisedastobescarcelyhuman,swelledfromtheroom,andsuddenlytherefollowedadeath-likesilence。

  Alightstepwasheardcrossingthefloor,asiffromthebedtothewindow;

  andalmostatthesameinstantthedoorgaveway,and,yieldingtothepressureoftheexternalapplicants,theywerenearlyprecipitatedintotheroom。Itwasempty。

  Thewindowwasopen,andSchalkensprangtoachairandgazedoutuponthestreetandcanalbelow。Hesawnoform,buthebeheld,orthoughthebeheld,thewatersofthebroadcanalbeneathsettlingringafterringinheavycircularripples,asifamomentbeforedisturbedbytheimmersionofsomelargeandheavymass。

  NotraceofRosewaseverafterdiscovered,norwasanythingcertainrespectinghermysteriouswooerdetectedorevensuspected;nocluewherebytotracetheintricaciesofthelabyrinthandtoarriveatadistinctconclusionwastobefound。Butanincidentoccurred,which,thoughitwillnotbereceivedbyourrationalreadersasatallapproachingtoevidenceuponthematter,neverthelessproducedastrongandalastingimpressionuponthemindofSchalken。

  Manyyearsaftertheeventswhichwehavedetailed,Schalken,thenremotelysituated,receivedanintimationofhisfather’sdeath,andofhisintendedburialuponafixeddayinthechurchofRotterdam。

  Itwasnecessarythataveryconsiderablejourneyshouldbeperformedbythefuneralprocession,which,asitwillreadilybebelieved,wasnotverynumerouslyattended。SchalkenwithdifficultyarrivedinRotterdamlateinthedayuponwhichthefuneralwasappointedtotakeplace。Theprocessionhadnotthenarrived。

  Eveningclosedin,andstillitdidnotappear。

  Schalkenstrolleddowntothechurch——

  befounditopen——noticeofthearrivalofthefuneralhadbeengiven,andthevaultinwhichthebodywastobelaidhadbeenopened。Theofficialwhocorrespondstooursexton,onseeingawell-dressedgentleman,whoseobjectwastoattendtheexpectedfuneral,pacingtheaisleofthechurch,hospitablyinvitedhimtosharewithhimthecomfortsofablazingwoodfire,which,aswashiscustominwintertimeuponsuchoccasions,hehadkindledonthehearthofachamberwhichcommu-

  nicated,byaflightofsteps,withthevaultbelow。

  InthischamberSchalkenandhisentertainerseatedthemselves,andthesexton,aftersomefruitlessattemptstoengagehisguestinconversation,wasobligedtoapplyhimselftohistobacco-pipeandcantosolacehissolitude。

  Inspiteofhisgriefandcares,thefatiguesofarapidjourneyofnearlyfortyhoursgraduallyovercamethemindandbodyofGodfreySchalken,andhesankintoadeepsleep,fromwhichhewasawakenedbysomeoneshakinghimgentlybytheshoulder。Hefirstthoughtthattheoldsextonhadcalledhim,butHE

  wasnolongerintheroom。

  Herousedhimself,andassoonashecouldclearlyseewhatwasaroundhim,heperceivedafemaleform,clothedinakindoflightrobeofmuslin,partofwhichwassodisposedastoactasaveil,andinherhandshecarriedalamp。Shewasmovingratherawayfromhim,andtowardstheflightofstepswhichconductedtowardsthevaults。

  Schalkenfeltavaguealarmatthesightofthisfigure,andatthesametimeanirresistibleimpulsetofollowitsguidance。

  Hefollowedittowardsthevaults,butwhenitreachedtheheadofthestairs,hepaused;thefigurepausedalso,and,turninggentlyround,displayed,bythelightofthelampitcarried,thefaceandfeaturesofhisfirstlove,RoseVelderkaust。Therewasnothinghorrible,orevensad,inthecountenance。Onthecontrary,itworethesamearchsmilewhichusedtoenchanttheartistlongbeforeinhishappydays。

  Afeelingofaweandofinterest,toointensetoberesisted,promptedhimtofollowthespectre,ifspectreitwere。Shedescendedthestairs——hefollowed;and,turningtotheleft,throughanarrowpassage,sheledhim,tohisinfinitesurprise,intowhatappearedtobeanold-

  fashionedDutchapartment,suchasthepicturesofGerardDouwhaveservedtoimmortalise。

  Abundanceofcostlyantiquefurniturewasdisposedabouttheroom,andinonecornerstoodafour-postbed,withheavyblack-clothcurtainsaroundit;thefigurefrequentlyturnedtowardshimwiththesamearchsmile;andwhenshecametothesideofthebed,shedrewthecurtains,andbythelightofthelampwhichsheheldtowardsitscontents,shedisclosedtothehorror-strickenpainter,sittingboltuprightinthebed,thelividanddemoniacformofVanderhausen。Schalkenhadhardlyseenhimwhenhefellsenselessuponthefloor,wherehelayuntildiscovered,onthenextmorning,bypersonsemployedinclosingthepassagesintothevaults。Hewaslyinginacellofconsiderablesize,whichhadnotbeendisturbedforalongtime,andhehadfallenbesidealargecoffinwhichwassupporteduponsmallstonepillars,asecurityagainsttheattacksofvermin。

  TohisdyingdaySchalkenwassatisfiedoftherealityofthevisionwhichhehadwitnessed,andhehasleftbehindhimacuriousevidenceoftheimpressionwhichitwroughtuponhisfancy,inapaintingexecutedshortlyaftertheeventwehavenarrated,andwhichisvaluableasexhibitingnotonlythepeculiaritieswhichhavemadeSchalken’spicturessoughtafter,butevenmoresoaspresentingaportrait,ascloseandfaithfulasonetakenfrommemorycanbe,ofhisearlylove,RoseVelderkaust,whosemysteriousfatemusteverremainmatterofspeculation。

  Thepicturerepresentsachamberofantiquemasonry,suchasmightbefoundinmostoldcathedrals,andislightedfaintlybyalampcarriedinthehandofafemalefigure,suchaswehaveaboveattemptedtodescribe;andinthebackground,andtotheleftofhimwhoexaminesthepainting,therestandstheformofamanapparentlyarousedfromsleep,andbyhisattitude,hishandbeinglaiduponhissword,exhibitingconsiderablealarm:thislastfigureisilluminatedonlybytheexpiringglareofawoodorcharcoalfire。

  Thewholeproductionexhibitsabeauti-

  fulspecimenofthatartfulandsingulardistributionoflightandshadewhichhasrenderedthenameofSchalkenimmortalamongtheartistsofhiscountry。Thistaleistraditionary,andthereaderwilleasilyperceive,byourstudiouslyomittingtoheightenmanypointsofthenarrative,whenalittleadditionalcolouringmighthaveaddedeffecttotherecital,thatwehavedesiredtolaybeforehim,notafigmentofthebrain,butacurioustraditionconnectedwith,andbelongingto,thebiographyofafamousartist。

  SCRAPSOFHIBERNIANBALLADS。

  BeinganEighthExtractfromtheLegacyofthelateFrancisPurcell,P。P。ofDrumcoolagh。

  Ihaveobserved,mydearfriend,amongothergrievousmisconceptionscurrentamongmenotherwisewell-informed,andwhichtendtodegradethepretensionsofmynativeland,animpressionthatthereexistsnosuchthingasindigenousmodernIrishcompositiondeservingthenameofpoetry——abeliefwhichhasbeenthoughtlesslysustainedandconfirmedbytheunconscion-

  ableliteraryperversenessofIrishmenthemselves,whohavepreferredtheeasytaskofconcoctinghumorousextravaganzas,whichcaricaturewithmercilessexaggerationthepedantry,bombast,andblundersincidenttothelowestorderofHibernianballads,tothemorepleasurableandpatrioticdutyofcollectingtogetherthemany,manyspecimensofgenuinepoeticfeeling,whichhavegrownup,likeitswildflowers,fromthewarmthoughneglectedsoilofIreland。

  Infact,theproductionswhichhavelongbeenregardedaspuresamplesofIrishpoeticcomposition,suchas’TheGrovesofBlarney,’and’TheWeddingofBallyporeen,’’AllyCroker,’etc。,etc。,arealtogetherspurious,andasmuchlikethethingtheycallthemselves’asItoHercules。’

  TherearetobesureinIreland,asinallcountries,poemswhichdeservetobelaughedat。ThenativeproductionsofwhichIspeak,frequentlyaboundinabsurdities——absurditieswhichareoften,too,provokinglymixedupwithwhatisbeautiful;butIstronglyandabsolutelydenythattheprevailingoreventheusualcharacterofIrishpoetryisthatofcomicality。Nocountry,notime,isdevoidofrealpoetry,orsomethingapproachingtoit;andsurelyitwereastrangethingifIreland,aboundingasshedoesfromshoretoshorewithallthatisbeautiful,andgrand,andsavageinscenery,andfilledwithwildrecollections,vividpassions,warmaffections,andkeensorrow,couldfindnolanguagetospeakwithal,butthatofmummeryandjest。

  No,herlanguageisimperfect,butthereisstrengthinitsrudeness,andbeautyinitswildness;and,aboveall,strongfeelingflowsthroughit,likefreshfountainsinruggedcaverns。

  AndyetIwillnotsaythatthelanguageofgenuineindigenousIrishcompositionisalwaysvulgaranduncouth:

  onthecontrary,Iaminpossessionofsomespecimens,thoughbynomeansofthehighestorderastopoeticmerit,whichdonotpossessthroughoutasinglepeculiarityofdiction。ThelineswhichInowproceedtolaybeforeyou,bywayofillustration,arefromthepenofanunfortunateyoungman,ofveryhumblebirth,whoseearlyhopeswerecrossedbytheuntimelydeathofherwhomheloved。

  Hewasaself-educatedman,andinafter-

  liferosetohighdistinctionsintheChurchtowhichhedevotedhimself——anactwhichprovesthesincerityofspiritwithwhichtheseverseswerewritten。

  ’Whenmoonlightfallsonwaveandwimple,Andsilverseverycirclingdimple,Thatonward,onwardsails:

  WhenfragranthawthornswildandsimpleLendperfumetothegales,Andthepalemooninheavenabiding,O’ermidnightmistsandmountainsriding,Shinesontheriver,smoothlyglidingThroughquietdales,’Iwanderthereinsolitude,CharmedbythechimingmusicrudeOfstreamsthatfretandflow。

  ForbythateddyingstreamSHEstood,OnsuchanightItrow:

  ForHERthethornitsbreathwaslending,OnthissametideHEReyewasbending,AndwithitsvoiceHERvoicewasblendingLong,longago。

  Wildstream!Iwalkbytheeoncemore,Iseethyhawthornsdimandhoar,Ihearthywatersmoan,Andnight-windssighfromshoretoshore,Withhushedandhollowtone;

  Butbreezesontheirlightwaywinging,Andallthywatersheedlesssinging,Nomoretomearegladnessbringing——

  Iamalone。

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