第45章
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  In1855Mr。CookeobtainedasilvermedalatthefirstParisExhibitionforasix-inchequatorialtelescope。[8]Thiswasthehighestprizeawarded。AfewyearslaterhewasinvitedtoOsbornebythelatePrinceAlbert,todiscusswithhisRoyalHighnesstheparticularsofanequatorialmountingwithaclockmovement,forwhichhesubsequentlyreceivedtheorder。Onitscompletionhesuperintendedtheerectionofthetelescope,andhadthehonourofdirectingittoseveralofthecelestialobjectsfortheQueenandthePrincessAlice,andansweredtheirmanyinterestingquestionsastothestarsandplanetswithinsight。

  Mr。Cookewasputtohismettletowardsthecloseofhislife。A

  contesthadlongprevailedamongtelescopemakersastowhoshouldturnoutthelargestrefractinginstrument。Thetwotelescopesoffifteeninchesaperture,preparedbyMerzandMahler,ofMunich,werethelargesttheninexistence。Theirsizewasthoughtquiteextraordinary。Butin1846,Mr。AlvanClark,ofCambridgeport,Massachusetts,U。S。,spenthisleisurehour’sinconstructingsmalltelescopes。[9]Hewasnotanoptician,noramathematician,butaportraitpainter。Hepossessed,however,enoughknowledgeofopticsandofmechanics,toenablehimtomakeandjudgeatelescope。Hespentsometenyearsingrindinglenses,andwasatlengthenabledtoproduceobjectivesequalinqualitytoanyevermade。

  In1853,theRev。W。E。Dawes——oneofMr。Cooke’scustomers——

  purchasedanobject-glassfromMr。Clark。Itwassosatisfactorythatheorderedseveralothers,andfinallyanentiretelescope。

  TheAmericanartistthenbegantobeappreciatedinhisowncountry。In1860hereceivedanorderforarefractorofeighteeninchesaperture,threeinchesgreaterthanthelargestwhichhaduptothattimebeenmade。ThistelescopewasintendedfortheObservatoryofMississippi;buttheCivilWarpreventeditsbeingremovedtotheSouth;andthetelescopewassoldtotheAstronomicalSocietyofChicagoandmountedintheObservatoryofthatcity。

  AndnowcomesintherivalryofMr。CookeofYork,orratherofhispatron,Mr。NewallofGateshead。AttheGreatExhibitionofLondon,in1862,twolargecircularblocksofglass,abouttwoinchesthickandtwenty-sixinchesindiameter,wereshownbythemanufacturers,Messrs。ChanceofBirmingham。Thesediscswerefoundtobeofperfectquality,andsuitableforobject-glassesofthebestkind。AtthecloseoftheExhibition,theywerepurchasedbyMr。Newall,andtransferredtotheworkshopsofMessrs。CookeandSonsatYork。Togrindandpolishandmountthesediscswasfoundaworkofgreatlabouranddifficulty。Mr。

  Lockyersays,“suchanachievementmarksanepochintelescopicastronomy,andtheskillofMr。CookeandthemunificenceofMr。

  Newallwilllongberemembered。“

  Whenfinished,theobject-glasshadanapertureofnearlytwenty-fiveinches,andwasofmuchgreaterpowerthantheeighteen-inchChicagoinstrument。Thelengthofthetubewasaboutthirty-twofeet。Thecast-ironpillarsupportingthewholewasnineteenfeetinheightfromtheground,andtheweightofthewholeinstrumentwasaboutsixtons。Inpreparingthistelescope,nearlyeverything,fromitsextraordinarysize,hadtobespeciallyarranged。[10]Thegreatanxietyinvolvedinthesearrangements,andtheconstantstudyandapplicationtoldheavilyuponMr。Cooke,andthoughtheinstrumentwantedonlyafewtouchestomakeitcomplete,hishealthbrokedown,andhediedonthel9thofOctober,1868,atthecomparativelyearlyageofsixty-two。

  Mr。Cooke’sdeathwasfelt,inameasure,tobeanationalloss。

  HisscienceandskillhadrestoredtoEnglandtheprominentpositionshehadheldinthetimeofDollond;and,hadhelived,evenmoremighthavebeenexpectedfromhim。WebelievethattheGoldMedalandFellowshipoftheRoyalSocietywerewaitingforhim;but,asoneofhisfriendssaidtohiswidow,“neitherworthnortalentavailswhenthegreatordealispresentedtous。“InaletterfromProfessorPritchard,hesaid:“Yourhusbandhaslefthismarkuponhisage。Noopticianofmoderntimeshasgainedahigherreputation;andIforonedonothesitatetocallhislossnational;forhecannotbereplacedatpresentbyanyoneelseinhisownpeculiarline。IshallcarrytherecollectionoftheaffectionateesteeminwhichIheldThomasCookewithmetomygrave。Alas!thatheshouldbecutoffjustatthemomentwhenhewasabouttoreaptherewardsduetohisunrivalledexcellence。IhavesaidthatF。R。S。andmedalsweretobehis。Butheis,wefondlytrust,inabetterandhigherstatethanthatofearthlydistinction。Bestassured,yourhusband’snamemusteverbeassociatedwiththereallygreatmenofhisday。Thosewhoknewhimwillevercherishhismemory。“

  Mr。CookeleftbehindhimthegreatworkswhichhefoundedinBuckinghamStreet,York。Theystillgiveemploymenttoalargenumberofskilledandintelligentartizans。ThereIfoundmanyimportantworksinprogress,——themanufactureoftheodolites,ofprismaticcompassesforsurveying,ofBolton’srangefinder,andoftelescopesaboveall。InthefactoryyardwasthecommencementoftheObservatoryforGreenwich,tocontainthelateMr。Lassell’ssplendidtwofeetNewtonianreflectingtelescope,whichhasbeenpresentedtothenation。Mr。Cooke’sspiritstillhauntstheworks,whicharecarriedonwiththeskill,thevigour,andtheperseverance,transmittedbyhimtohissons。

  WhileatYork,IwasinformedbyMr。Wigglesworth,thepartnerofMessrs。Cooke,ofanenergeticyoungastronomeratBainbridge,inthemountain-districtofYorkshire,whohadnotonlybeenabletomakeatelescopeofhisown,butwasanexcellentphotographer。

  Hewasnotyetthirtyyearsofage,buthadencounteredandconqueredmanydifficulties。Thisisasortofcharacterwhichismoreoftentobemetwithinremotecountryplacesthaninthickly-peopledcities。Inthecountryamanismoreofanindividual;inacityheisonlyoneofamultitude。Thecountryboyhastorelyuponhimself,andhastoworkincomparativesolitude,whilethecityboyisdistractedbyexcitements。Lifeinthecountryisfullofpracticalteachings;whereaslifeinthecitymaybedegradedbyfrivolitiesandpleasures,whicharetoooftenthefoesofwork。Hencewehaveusuallytogotoout-of-the-waycornersofthecountryforourhardestbrain-workers。Contactwiththeearthisagreatrestorerofpower;anditistothecountryfolksthatwemusteverlookfortherecuperativepowerofthenationasregardshealth,vigour,andmanliness。

  Bainbridgeisaremotecountryvillage,situatedamongthehighlandsorFellsonthenorth-westernborderofYorkshire。Themountainstheresendoutgreatprojectingbuttressesintothedales;andthewatersrushdownfromthehills,andformwaterfallsorForces,whichTurnerhasdonesomuchtoillustrate。TheriverBainrunsintotheYoreatBainbridge,whichissupposedtobethesiteofanoldRomanstation。OverthedooroftheGrammarSchoolisamermaid,saidtohavebeenfoundinacamponthetopofAddleborough,aremarkablelimestonehillwhichrisestothesouth-eastofBainbridge。Itisinthisgrammar-schoolthatwefindthesubjectofthislittleautobiography。Hemustbeallowedtotellthestoryofhislife——whichhedescribesas’Work:Good,Bad,andIndifferent’——

  inhisownwords:

  “IwasbornonNovember20th,1853。InmychildhoodIsufferedfromill-health。Myparentsletmeplayaboutintheopenair,anddidnotputmetoschooluntilIhadturnedmysixthyear。

  Oneday,playingintheshoemaker’sshop,WilliamFarrelaskedmeifIknewmyletters。Ianswered’No。’Hethentookdownaprimerfromashelf,andbegantoteachmethealphabet,atthesametimeamusingmebylikeningtheletterstofamiliarobjectsinhisshop。Isoonlearnedtoread,andinaboutsixweeksI

  surprisedmyfatherbyreadingfromaneasybookwhichtheshoemakerhadgivenme。

  “Myfatherthentookmeintotheschool,ofwhichhewasmaster,andmyeducationmaybesaidfairlytohavebegun。Myprogress,however,wasveryslowpartlyowingtoill-health,butmore,I

  mustacknowledge,tocarelessnessandinattention。Infact,duringthefirstfouryearsIwasatschool,Ilearntverylittleofanything,withtheexceptionofrecitingverses,whichI

  seemedtolearnwithoutanymentaleffort。Mymemorybecameveryretentive。Ifoundthatbyattentivelyreadinghalfapageofprint,ormore,fromanyoftheschool-books,Icouldrepeatthewholeofitwithoutmissingaword。IcanscarcelyexplainhowI

  didit;butIthinkitwasbypayingstrictattentiontothewordsaswords,andformingamentalpictureoftheparagraphsastheyweregroupedinthebook。Certain,Iam,thattheirsensenevermademuchimpressiononme,for,whenquestionedbytheteacher,Iwasalwayssenttothebottomoftheclass,thoughapparentlyIhadlearnedmyexercisetoperfection。

  “WhenIwastwelveyearsold,Imadetheacquaintanceofaveryingeniousboy,whocametoourschool。SamuelBridgewasabornmechanic。Thoughonlyayearolderthanmyself,suchwashisabilityintheuseoftools,thathecouldconstructamodelofanymachinethathesaw。Heawakenedinmealoveofmechanicalconstruction,andtogetherwemademodelsofcollierywinding-frames,iron-rollingmills,trip-hammers,andwater-wheels。Someofthemwerenotmeretoys,butconstructedtoscale,andwerereallygoodworkingmodels。Thisloveofmechanicalconstructionhasneverleftme,andIshallalwaysrememberwithaffectionSamuelBridge,whofirsttaughtmetousethehammerandfile。ThelastIheardofhimwasin1875,whenhepassedhisexaminationasaschoolmaster,inhonours,andwasattheheadofhislist。

  “Duringthenexttwoyears,whenbetweentwelveandfourteen,I

  madecomparativelyslowprogressatschool。Irememberhavingtowriteoutthefourthcommandmentfrommemory。Theteachercountedtwenty-threemistakesintenlinesofmywriting。Itwillbeseenfromthis,that,asregardslearning,Icontinuedheedlessandbackward。Aboutthistime,myfather,whowasagoodviolinist,tookmeunderhistuition。Hemademepracticeontheviolinaboutanhourandahalfaday。Icontinuedthisforalongtime。Buttheresultwasfailure。Ihatedtheviolin,andwouldneverplayunlesscompelledtodoso。I

  supposethesecretwasthatIhadno’ear。’

  “Itwasdifferentwithsubjectsmoretomymind。Lookingovermyfather’sbooksoneday,IcameuponGregory’s’HandbookofInorganicChemistry,’andbeganreadingit。Iwasfascinatedwiththebook,andstudieditmorning,noon,andnight——infact,everytimewhenIcouldsnatchafewminutes。IreallybelievethatatonetimeIcouldhaverepeatedthewholeofthebookfrommemory。NowIfoundthevalueofarithmetic,andsettoworkinearnestonproportion,vulgaranddecimalfractions,and,infact,everythinginschoolworkthatIcouldturntoaccountinthescienceofchemistry。TheresultofthissuddenapplicationwasthatIwasseizedwithanillness。ForsomemonthsIhadincessantheadache;myhairbecamedriedup,thenturnedgrey,andfinallycameoff。Weighingmyselfshortlyaftermyrecovery,attheageoffifteen,IfoundthatIjustbalancedfifty-sixpounds。Itookupmensuration,thenastronomy,workingatthemslowly,butgivingthebulkofmysparetimetochemistry。

  “Intheyear1869,whenIwassixteenyearsold,IcameacrossCuthbertBede’sbook,entitled’PhotographicPleasures。’Itisanamusingbook,givinganaccountoftheriseandprogressofphotography,andatthesametimehavingagood-naturedlaughatit。Ireadthebookcarefully,andtookupphotographyasanamusement,usingsomeapparatuswhichbelongedtomyfather,whohadatonetimedabbledintheart。Iwassoonabletotakefairphotographs。Ithendecidedtotryphotographyasabusiness。I

  wasapprenticedtoaphotographer,andspentfouryearswithhim——oneyearatNorthallerton,andthreeatDarlington。WhenmyemployerremovedtoDarlington,IjoinedtheSchoolofArtthere。

  “HavingreadanaccountoftheexperimentsofM。E。Becquerel,aFrenchsavant,onphotographinginthecoloursofnature,mycuriositywasawakened。Icarefullyrepeatedhisexperiments,andconvincedmyselfthathewascorrect。Icontinuedmyexperimentsinheliochromyforaperiodofabouttwoyears,duringwhichtimeImademanyphotographsincolours,anddiscoveredamethodofdevelopingthecolouredimage,whichenabledmetoshortentheexposuretoone-fortiethofthepreviously-requiredtime。Duringtheseexperiments,Icameuponsomecuriousresults,which,Ithink,mightpuzzleourscientificmentoaccountfor。Forinstance,Iprovedtheexistenceofblacklight,orraysofsuchanatureastoturntherose-colouredsurfaceofthesensitive-plateblack——thatis,raysreflectedfromtheblackpaintofdrapery,producedblackinthepicture,andnottheeffectofdarkness。Iwas,likeBecquerel,unabletofixthecolouredimagewithoutdestroyingthecolours;

  thoughtheplateswouldkeepalongwhileinthedark,andcouldbeexaminedinasubdued,thoughnotinastronglight。Thecolouredimagewasfaint,butthecolourscameoutwithgreattruthanddelicacy。

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