第1章
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  THERAVEN

  Onceuponamidnightdreary,whileIpondered,weakandweary,Overmanyaquaintandcuriousvolumeofforgottenlore——

  WhileInodded,nearlynapping,suddenlytherecameatapping,Asofsomeonegentlyrapping,rappingatmychamberdoor。

  \"’Tissomevisiter,\"Imuttered,\"tappingatmychamberdoor——

  Onlythisandnothingmore。\"

  Ah,distinctlyIrememberitwasinthebleakDecember,Andeachseparatedyingemberwroughtitsghostuponthefloor。

  EagerlyIwishedthemorrow;——vainlyIhadsoughttoborrowFrommybookssurceaseofsorrow——sorrowforthelostLenore——

  FortherareandradiantmaidenwhomtheangelsnameLenore——

  Namelesshereforevermore。

  AndthesilkensaduncertainrustlingofeachpurplecurtainThrilledme——filledmewithfantasticterrorsneverfeltbefore;

  Sothatnow,tostillthebeatingofmyheart,Istoodrepeating\"’Tissomevisiterentreatingentranceatmychamberdoor——

  Somelatevisiterentreatingentranceatmychamberdoor;

  Thisitisandnothingmore。\"

  Presentlymysoulgrewstronger;hesitatingthennolonger,\"Sir,\"saidI,\"orMadam,trulyyourforgivenessIimplore;

  ButthefactisIwasnapping,andsogentlyyoucamerapping,Andsofaintlyyoucametapping,tappingatmychamberdoor,ThatIscarcewassureIheardyou\"——hereIopenedwidethedoor——

  Darknessthereandnothingmore。

  Deepintothatdarknesspeering,longIstoodtherewondering,fearing,Doubting,dreamingdreamsnomortalseverdaredtodreambefore;

  Butthesilencewasunbroken,andthestillnessgavenotoken,Andtheonlywordtherespokenwasthewhisperedword,\"Lenore?\"

  ThisIwhispered,andanechomurmuredbacktheword,\"Lenore!\"——

  Merelythisandnothingmore。

  Backintothechamberturning,allmysourwithinmeburning,SoonagainIheardatappingsomethinglouderthanbefore。

  \"Surely,\"saidI,\"surelythatissomethingatmywindowlattice;

  Letmesee,then,whatthereatisandthismysteryexplore——

  Letmyheartbestillamomentandthismysteryexplore;——

  ’Tisthewindandnothingmore。

  OpenhereIflungtheshutter,when,withmanyaflirtandflutter,IntheresteppedastatelyRavenofthesaintlydaysofyore。

  Nottheleastobeisancemadehe;notaminutestoppedorstayedhe,But,withmienoflordorlady,perchedabovemychamberdoor——

  PercheduponabustofPallasjustabovemychamberdoor——

  Perched,andsat,andnothingmore。

  Thentheebonybirdbeguilingmysadfancyintosmiling,Bythegraveandsterndecorumofthecountenanceitwore,\"Thoughthycrestbeshornandshaven,thou,\"Isaid,\"artsurenocraven,GhastlygrimandancientRavenwanderingfromtheNightlyshore——

  TellmewhatthylordlynameisontheNight’sPlutonianshore!\"

  QuoththeRaven,\"Nevermore。\"

  MuchImarvelledthisungainlyfowltoheardiscoursesoplainly,Thoughitsanswerlittlemeaning——littlerelevancybore;

  ForwecannothelpagreeingthatnolivinghumanbeingEveryetwasblessedwithseeingbirdabovehischamberdoor——

  Birdorbeastuponthesculpturedbustabovehischamberdoor,Withsuchnameas\"Nevermore。\"

  ButtheRaven,sittinglonelyonthatplacidbust,spokeonlyThatoneword,asifitssoulinthatonewordhedidoutpourNothingfartherthenheuttered;notafeatherthenhefluttered——

  TillIscarcelymorethanmuttered:\"Otherfriendshaveflownbefore——

  Onthemorrowhewillleaveme,asmyHopeshaveflownbefore。\"

  Thenthebirdsaid\"Nevermore。\"

  Startledatthestillnessbrokenbyreplysoaptlyspoken,\"Doubtless,\"saidI,\"whatituttersisitsonlystockandstore,CaughtfromsomeunhappymasterwhomunmercifulDisasterFollowedfastandfollowedfastertillhissongsoneburdenbore——

  TillthedirgesofhisHopethatmelancholyburdenboreOf’Never——nevermore。’\"

  ButtheRavenstillbeguilingallmysadsoulintosmiling,StraightIwheeledacushionedseatinfrontofbirdandbustanddoor;

  Then,uponthevelvetsinking,IbetookmyselftolinkingFancyuntofancy,thinkingwhatthisominousbirdofyore——

  Whatthisgrim,ungainly,ghastly,gaunt,andominousbirdofyoreMeantincroaking\"Nevermore。\"

  ThisIsatengagedinguessing,butnosyllableexpressingTothefowlwhosefieryeyesnowburnedintomybosom’score;

  ThisandmoreIsatdivining,withmyheadateaserecliningOnthecushion’svelvetliningthatthelamp—lightgloatedo’er,Butwhosevelvetvioletliningwiththelamp—lightgloatingo’erSheshallpress,ah,nevermore!

  Then,methought,theairgrewdenser,perfumedfromanunseencenserSwungbySeraphimwhosefoot—fallstinkledonthetuftedfloor。

  \"Wretch,\"Icried,\"thyGodhathlentthee——bytheseangelshehathsenttheeRespite——respiteandnepenthefromthymemoriesofLenore!

  Quaff,ohquaffthiskindnepentheandforgetthislostLenore!\"

  QuoththeRaven,\"Nevermore。\"

  \"Prophet!\"saidI,\"thingofevil!——prophetstill,ifbirdordevil!——

  WhetherTemptersent,orwhethertempesttossedtheehereashore,Desolate,yetallundaunted,onthisdesertlandenchanted——

  OnthishomebyHorrorhaunted——tellmetruly,Iimplore——

  Isthere——istherebalminGilead?——tellme——tellme,Iimplore!\"

  QuoththeRaven,\"Nevermore。\"

  \"Prophet!\"saidI,\"thingofevil!——prophetstill,ifbirdordevil!

  BythatHeaventhatbendsaboveus——bythatGodwebothadore——

  Tellthissoulwithsorrowladenif,withinthedistantAidenn,ItshallclaspasaintedmaidenwhomtheangelsnameLenore——

  ClasparareandradiantmaidenwhomtheangelsnameLenore。\"

  QuoththeRaven,\"Nevermore。\"

  \"Bethatoursignofparting,birdorfiend!\"Ishrieked,upstarting——

  \"GettheebackintothetempestandtheNight’sPlutonianshore!

  Leavenoblackplumeasatokenofthatliethysoulhasspoken!

  Leavemylonelinessunbroken!——quitthebustabovemydoor!

  Takethybeakfromoutmyheart,andtakethyformfromoffmydoor!\"

  QuoththeRaven,\"Nevermore。\"

  AndtheRaven,neverflitting,stillissitting,stillissittingOnthepallidbustofPallasjustabovemychamberdoor;

  Andhiseyeshavealltheseemingofademon’sthatisdreamingAndthelamp—lighto’erhimstreamingthrowshisshadowsonthefloor;

  AndmysoulfromoutthatshadowthatliesfloatingonthefloorShallbelifted——nevermore!

  TheMasqueoftheRedDeathbyEdgarAllanPoeOctober,1997[Etext#1064]*

  TheMasqueoftheRedDeathThe\"RedDeath\"hadlongdevastatedthecountry。Nopestilencehadeverbeensofatal,orsohideous。BloodwasitsAvataranditsseal——therednessandthehorrorofblood。Thereweresharppains,andsuddendizziness,andthenprofusebleedingatthepores,withdissolution。Thescarletstainsuponthebodyandespeciallyuponthefaceofthevictim,werethepestbanwhichshuthimoutfromtheaidandfromthesympathyofhisfellow—men。

  Andthewholeseizure,progressandterminationofthedisease,weretheincidentsofhalfanhour。

  ButthePrinceProsperowashappyanddauntlessandsagacious。

  Whenhisdominionswerehalfdepopulated,hesummonedtohispresenceathousandhaleandlight—heartedfriendsfromamongtheknightsanddamesofhiscourt,andwiththeseretiredtothedeepseclusionofoneofhiscastellatedabbeys。Thiswasanextensiveandmagnificentstructure,thecreationoftheprince’sowneccentricyetaugusttaste。Astrongandloftywallgirdleditin。

  Thiswallhadgatesofiron。Thecourtiers,havingentered,broughtfurnacesandmassyhammersandweldedthebolts。Theyresolvedtoleavemeansneitherofingressnoregresstothesuddenimpulsesofdespairoroffrenzyfromwithin。Theabbeywasamplyprovisioned。Withsuchprecautionsthecourtiersmightbiddefiancetocontagion。Theexternalworldcouldtakecareofitself。Inthemeantimeitwasfollytogrieve,ortothink。Theprincehadprovidedalltheappliancesofpleasure。Therewerebuffoons,therewereimprovisatori,therewereballet—dancers,thereweremusicians,therewasBeauty,therewaswine。Alltheseandsecuritywerewithin。Withoutwasthe\"RedDeath\"。

  Itwastowardsthecloseofthefifthorsixthmonthofhisseclusion,andwhilethepestilenceragedmostfuriouslyabroad,thatthePrinceProsperoentertainedhisthousandfriendsatamaskedballofthemostunusualmagnificence。

  Itwasavoluptuousscene,thatmasquerade。Butfirstletmetelloftheroomsinwhichitwasheld。Thesewereseven——animperialsuite。Inmanypalaces,however,suchsuitesformalongandstraightvista,whilethefoldingdoorsslidebacknearlytothewallsoneitherhand,sothattheviewofthewholeextentisscarcelyimpeded。Herethecasewasverydifferent,asmighthavebeenexpectedfromtheduke’sloveofthebizarre。Theapartmentsweresoirregularlydisposedthatthevisionembracedbutlittlemorethanoneatatime。Therewasasharpturnateverytwentyorthirtyyards,andateachturnanoveleffect。Totherightandleft,inthemiddleofeachwall,atallandnarrowGothicwindowlookedoutuponaclosedcorridorwhichpursuedthewindingsofthesuite。Thesewindowswereofstainedglasswhosecolourvariedinaccordancewiththeprevailinghueofthedecorationsofthechamberintowhichitopened。Thatattheeasternextremitywashung,forexampleinblue——andvividlybluewereitswindows。Thesecondchamberwaspurpleinitsornamentsandtapestries,andherethepaneswerepurple。Thethirdwasgreenthroughout,andsowerethecasements。Thefourthwasfurnishedandlightedwithorange——thefifthwithwhite——thesixthwithviolet。Theseventhapartmentwascloselyshroudedinblackvelvettapestriesthathungallovertheceilinganddownthewalls,fallinginheavyfoldsuponacarpetofthesamematerialandhue。Butinthischamberonly,thecolourofthewindowsfailedtocorrespondwiththedecorations。Thepanesherewerescarlet——adeepbloodcolour。Nowinnooneofthesevenapartmentswasthereanylamporcandelabrum,amidtheprofusionofgoldenornamentsthatlayscatteredtoandfroordependedfromtheroof。Therewasnolightofanykindemanatingfromlamporcandlewithinthesuiteofchambers。Butinthecorridorsthatfollowedthesuite,therestood,oppositetoeachwindow,aheavytripod,bearingabrazieroffire,thatprojecteditsraysthroughthetintedglassandsoglaringlyilluminedtheroom。Andthuswereproducedamultitudeofgaudyandfantasticappearances。Butinthewesternorblackchambertheeffectofthefire—lightthatstreameduponthedarkhangingsthroughtheblood—tintedpanes,wasghastlyintheextreme,andproducedsowildalookuponthecountenancesofthosewhoentered,thattherewerefewofthecompanyboldenoughtosetfootwithinitsprecinctsatall。

  Itwasinthisapartment,also,thattherestoodagainstthewesternwall,agiganticclockofebony。Itspendulumswungtoandfrowithadull,heavy,monotonousclang;andwhentheminute—handmadethecircuitoftheface,andthehourwastobestricken,therecamefromthebrazenlungsoftheclockasoundwhichwasclearandloudanddeepandexceedinglymusical,butofsopeculiaranoteandemphasisthat,ateachlapseofanhour,themusiciansoftheorchestrawereconstrainedtopause,momentarily,intheirperformance,toharkentothesound;andthusthewaltzersperforceceasedtheirevolutions;andtherewasabriefdisconcertofthewholegaycompany;and,whilethechimesoftheclockyetrang,itwasobservedthatthegiddiestgrewpale,andthemoreagedandsedatepassedtheirhandsovertheirbrowsasifinconfusedreveryormeditation。Butwhentheechoeshadfullyceased,alightlaughteratoncepervadedtheassembly;themusicianslookedateachotherandsmiledasifattheirownnervousnessandfolly,andmadewhisperingvows,eachtotheother,thatthenextchimingoftheclockshouldproduceinthemnosimilaremotion;andthen,afterthelapseofsixtyminutes,(whichembracethreethousandandsixhundredsecondsoftheTimethatflies,)therecameyetanotherchimingoftheclock,andthenwerethesamedisconcertandtremulousnessandmeditationasbefore。

  But,inspiteofthesethings,itwasagayandmagnificentrevel。Thetastesofthedukewerepeculiar。Hehadafineeyeforcoloursandeffects。Hedisregardedthedecoraofmerefashion。Hisplanswereboldandfiery,andhisconceptionsglowedwithbarbariclustre。Therearesomewhowouldhavethoughthimmad。Hisfollowersfeltthathewasnot。Itwasnecessarytohearandseeandtouchhimtobesurethathewasnot。

  Hehaddirected,ingreatpart,themovableembellishmentsofthesevenchambers,uponoccasionofthisgreatfete;anditwashisownguidingtastewhichhadgivencharactertothemasqueraders。Besuretheyweregrotesque。Thereweremuchglareandglitterandpiquancyandphantasm——muchofwhathasbeensinceseenin\"Hernani\"。Therewerearabesquefigureswithunsuitedlimbsandappointments。Thereweredeliriousfanciessuchasthemadmanfashions。Thereweremuchofthebeautiful,muchofthewanton,muchofthebizarre,somethingoftheterrible,andnotalittleofthatwhichmighthaveexciteddisgust。Toandfrointhesevenchamberstherestalked,infact,amultitudeofdreams。Andthese——thedreams——writhedinandabouttakinghuefromtherooms,andcausingthewildmusicoftheorchestratoseemastheechooftheirsteps。And,anon,therestrikestheebonyclockwhichstandsinthehallofthevelvet。Andthen,foramoment,allisstill,andallissilentsavethevoiceoftheclock。Thedreamsarestiff—frozenastheystand。Buttheechoesofthechimedieaway——theyhaveenduredbutaninstant——andalight,half—subduedlaughterfloatsafterthemastheydepart。Andnowagainthemusicswells,andthedreamslive,andwrithetoandfromoremerrilythanever,takinghuefromthemanytintedwindowsthroughwhichstreamtheraysfromthetripods。Buttothechamberwhichliesmostwestwardlyoftheseven,therearenownoneofthemaskerswhoventure;forthenightiswaningaway;andthereflowsaruddierlightthroughtheblood—colouredpanes;andtheblacknessofthesabledraperyappals;andtohimwhosefootfallsuponthesablecarpet,therecomesfromthenearclockofebonyamuffledpealmoresolemnlyemphaticthananywhichreachestheirearswhoindulgedinthemoreremotegaietiesoftheotherapartments。

  Buttheseotherapartmentsweredenselycrowded,andinthembeatfeverishlytheheartoflife。Andtherevelwentwhirlinglyon,untilatlengththerecommencedthesoundingofmidnightupontheclock。Andthenthemusicceased,asIhavetold;andtheevolutionsofthewaltzerswerequieted;andtherewasanuneasycessationofallthingsasbefore。Butnowthereweretwelvestrokestobesoundedbythebelloftheclock;andthusithappened,perhaps,thatmoreofthoughtcrept,withmoreoftime,intothemeditationsofthethoughtfulamongthosewhorevelled。

  Andthustoo,ithappened,perhaps,thatbeforethelastechoesofthelastchimehadutterlysunkintosilence,thereweremanyindividualsinthecrowdwhohadfoundleisuretobecomeawareofthepresenceofamaskedfigurewhichhadarrestedtheattentionofnosingleindividualbefore。Andtherumourofthisnewpresencehavingspreaditselfwhisperinglyaround,therearoseatlengthfromthewholecompanyabuzz,ormurmur,expressiveofdisapprobationandsurprise——then,finally,ofterror,ofhorror,andofdisgust。

  InanassemblyofphantasmssuchasIhavepainted,itmaywellbesupposedthatnoordinaryappearancecouldhaveexcitedsuchsensation。Intruththemasqueradelicenceofthenightwasnearlyunlimited;butthefigureinquestionhadout—HerodedHerod,andgonebeyondtheboundsofeventheprince’sindefinitedecorum。

  Therearechordsintheheartsofthemostrecklesswhichcannotbetouchedwithoutemotion。Evenwiththeutterlylost,towhomlifeanddeathareequallyjests,therearemattersofwhichnojestcanbemade。Thewholecompany,indeed,seemednowdeeplytofeelthatinthecostumeandbearingofthestrangerneitherwitnorproprietyexisted。Thefigurewastallandgaunt,andshroudedfromheadtofootinthehabilimentsofthegrave。Themaskwhichconcealedthevisagewasmadesonearlytoresemblethecountenanceofastiffenedcorpsethattheclosestscrutinymusthavehaddifficultyindetectingthecheat。Andyetallthismighthavebeenendured,ifnotapproved,bythemadrevellersaround。ButthemummerhadgonesofarastoassumethetypeoftheRedDeath。

  Hisvesturewasdabbledinblood——andhisbroadbrow,withallthefeaturesoftheface,wasbesprinkledwiththescarlethorror。

  WhentheeyesofthePrinceProsperofelluponthisspectralimage(which,withaslowandsolemnmovement,asifmorefullytosustainitsrole,stalkedtoandfroamongthewaltzers)hewasseentobeconvulsed,inthefirstmomentwithastrongshuddereitherofterrorordistaste;but,inthenext,hisbrowreddenedwithrage。

  \"Whodares,\"——hedemandedhoarselyofthecourtierswhostoodnearhim——\"whodaresinsultuswiththisblasphemousmockery?

  Seizehimandunmaskhim——thatwemayknowwhomwehavetohang,atsunrise,fromthebattlements!\"

  ItwasintheeasternorbluechamberinwhichstoodthePrinceProsperoasheutteredthesewords。Theyrangthroughoutthesevenroomsloudlyandclearly,fortheprincewasaboldandrobustman,andthemusichadbecomehushedatthewavingofhishand。

  Itwasintheblueroomwherestoodtheprince,withagroupofpalecourtiersbyhisside。Atfirst,ashespoke,therewasaslightrushingmovementofthisgroupinthedirectionoftheintruder,whoatthemomentwasalsonearathand,andnow,withdeliberateandstatelystep,madecloserapproachtothespeaker。Butfromacertainnamelessawewithwhichthemadassumptionsofthemummerhadinspiredthewholeparty,therewerefoundnonewhoputforthhandtoseizehim;sothat,unimpeded,hepassedwithinayardoftheprince’sperson;and,whilethevastassembly,asifwithoneimpulse,shrankfromthecentresoftheroomstothewalls,hemadehiswayuninterruptedly,butwiththesamesolemnandmeasuredstepwhichhaddistinguishedhimfromthefirst,throughthebluechambertothepurple——throughthepurpletothegreen——throughthegreentotheorange——throughthisagaintothewhite——andeventhencetotheviolet,ereadecidedmovementhadbeenmadetoarresthim。Itwasthen,however,thatthePrinceProspero,maddeningwithrageandtheshameofhisownmomentarycowardice,rushedhurriedlythroughthesixchambers,whilenonefollowedhimonaccountofadeadlyterrorthathadseizeduponall。Heborealoftadrawndagger,andhadapproached,inrapidimpetuosity,towithinthreeorfourfeetoftheretreatingfigure,whenthelatter,havingattainedtheextremityofthevelvetapartment,turnedsuddenlyandconfrontedhispursuer。Therewasasharpcry——andthedaggerdroppedgleaminguponthesablecarpet,uponwhich,instantlyafterwards,fellprostrateindeaththePrinceProspero。Then,summoningthewildcourageofdespair,athrongoftherevellersatoncethrewthemselvesintotheblackapartment,and,seizingthemummer,whosetallfigurestooderectandmotionlesswithintheshadowoftheebonyclock,gaspedinunutterablehorroratfindingthegravecerementsandcorpse—likemask,whichtheyhandledwithsoviolentarudeness,untenantedbyanytangibleform。

  AndnowwasacknowledgedthepresenceoftheRedDeath。Hehadcomelikeathiefinthenight。Andonebyonedroppedtherevellersintheblood—bedewedhallsoftheirrevel,anddiedeachinthedespairingpostureofhisfall。Andthelifeoftheebonyclockwentoutwiththatofthelastofthegay。Andtheflamesofthetripodsexpired。AndDarknessandDecayandtheRedDeathheldillimitabledominionoverall。

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