第1章
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  PedroCalderondelaBarcawasborninMadrid,January17,1600,ofgoodfamily。HewaseducatedattheJesuitCollegeinMadridandattheUniversityofSalamanca;andadoubtfultraditionsaysthathebegantowriteplaysattheageofthirteen。Hisliteraryactivitywasinterruptedfortenyears,1625—1635,bymilitaryserviceinItalyandtheLowCountries,andagainforayearormoreinCatalonia。In1637

  hebecameaKnightoftheOrderofSantiago,andin1651heenteredthepriesthood,risingtothedignityofSuperioroftheBrotherhoodofSanPedroinMadrid。HeheldvariousofficesinthecourtofPhilipIV,whorewardedhisserviceswithpensions,andhadhisplaysproducedwithgreatsplendor。HediedMay5,1681。

  AtthetimewhenCalderonbegantocomposeforthestage,theSpanishdramawasatitsheight。LopedeVega,themostprolificand,withCalderon,thegreatest,ofSpanishdramatists,wasstillalive;andbyhisapplausegaveencouragementtothebeginnerwhosefamewastorivalhisown。ThenationaltypeofdramawhichLopehadestablishedwasmaintainedinitsessentialcharacteristicsbyCalderon,andheproducedabundantspecimensofallitsvarieties。Ofregularplayshehasleftahundredandtwenty;of\"AutosSacramentales,\"thepeculiarSpanishallegoricaldevelopmentofthemedievalmystery,wehaveseventy—three;besidesaconsiderablenumberoffarces。

  ThedominantmotivesinCalderon\'sdramasarecharacteristicallynational:fervidloyaltytoChurchandKing,andasenseofhonorheightenedalmosttothepointofthefantastic。Thoughhisplaysarelaidinagreatvarietyofscenesandages,thesentimentandthecharactersremainessentiallySpanish;andthisintenselylocalqualityhasprobablylessenedthevogueofCalderoninothercountries。Intheconstructionandconductofhisplotsheshowedgreatskill,yettheingenuityexpendedinthemanagementofthestorydidnotrestrainthefieryemotionandopulentimaginationwhichmarkhisfinestspeechesandgivethemalyricqualitywhichsomecriticsregardashisgreatestdistinction。

  OfallCalderon\'sworks,\"LifeisaDream\"mayberegardedasthemostuniversalinitstheme。Itseekstoteachalessonthatmaybelearnedfromthephilosophersandreligiousthinkersofmanyages——thattheworldofoursensesisamereshadow,andthattheonlyrealityistobefoundintheinvisibleandeternal。ThestorywhichformsitsbasisisOrientalinorigin,andintheformofthelegendof\"BarlaamandJosaphat\"wasfamiliarinalltheliteraturesoftheMiddleAges。

  CombinedwiththisintheplotisthetaleofAbouHassanfromthe\"ArabianNights,\"themainsituationsinwhichareturnedtofarcicalpurposesintheInductiontotheShakespearean\"TamingoftheShrew。\"

  ButwithCalderonthethemeisliftedaltogetheroutoftheatmosphereofcomedy,andisworkedupwithpoeticsentimentandatouchofmysticismintoasymbolicdramaofprofoundanduniversalphilosophicalsignificance。

  LIFEISADREAM

  DRAMATISPERSONAE

  BasilioKingofPoland。

  SegismundhisSon。

  AstolfohisNephew。

  EstrellahisNiece。

  ClotaldoaGeneralinBasilio\'sService。

  RosauraaMuscoviteLady。

  FifeherAttendant。

  Chamberlain,LordsinWaiting,Officers,Soldiers,etc。,inBasilio\'sService。

  TheSceneofthefirstandthirdActsliesonthePolishfrontier:ofthesecondAct,inWarsaw。

  AsthisversionofCalderon\'sdramaisnotforacting,ahigherandwidermountain—scenethanpracticablemaybeimaginedforRosaura\'sdescentinthefirstActandthesoldiers\'ascentinthelast。Thebadwatchkeptbythesentinelswhoguardedtheirstate—prisoner,togetherwithmuchelse(notall!)thatdefiessobersenseinthiswilddrama,ImustleaveCalderontoanswerfor;whoseaudiencewerenotcriticalofdetailandprobability,solongasagoodstory,withstrong,rapid,andpicturesqueactionandsituation,wassetbeforethem。

  ACTI

  SCENEI——Apassofrocks,overwhichastormisrollingaway,andthesunsetting:intheforeground,half—waydown,afortress。

  (EnterfirstfromthetopmostrockRosaura,asfromhorseback,inman\'sattire;and,afterher,Fife。)

  ROSAURA。

  There,four—footedFury,blastEngender\'dbrute,withoutthewitOfbrute,ormouthtomatchthebitOfman——artsatisfiedatlast?

  Who,whenthunderroll\'daloof,Tow\'rdthespheresoffireyourearsPricking,andthegranitekickingIntolightningwithyourhoof,Amongthetempest—shatter\'dcragsShatteringyourlucklessriderBackintothetempestpass\'d?

  Therethenlietostarveanddie,OrfindanotherPhaetonMad—mettledasyourself;forI,Wearied,worried,andfor—done,Alonewilldownthemountaintry,Thatknitshisbrowsagainstthesun。

  FIFE(astohismule)。

  There,thoumis—begottenthing,Long—ear\'dlightning,tail\'dtornado,Griffin—hoof—inhurricano,(ImightsweartillIwerealmostHoarsewithroaringAsonante)

  WhoforsoothbecauseourbettersWouldbegintokickandflingYouforthwithyournoblemindMustprove,andkickmeoffbehind,Tow\'rdtheverycentrewhitherGravitywasmostinclined。

  TherewhereyouhavemadeyourbedInitlie;for,wetordry,Letwhatwillformebetideyou,Burning,blowing,freezing,hailing;

  Faminewasteyou:devilrideyou:

  Tempestbasteyoublackandblue:

  (ToRosaura。)

  There!IthinkindownrightrailingIcanholdmyownwithyou。

  ROS。

  Ah,mygoodFife,whosemerryloyalpipe,Comeweal,comewoe,isneveroutoftuneWhat,youinthesameplighttoo?

  FIFE。

  Ay;Andmadam——sir——herebydesire,WhenyouyourownadventuressingAnothertimeinloftyrhyme,Youdon\'tforgetthetrustysquireWhowentwithyouDon—quixoting。

  ROS。

  Well,mygoodfellow——toleavePegasusWhoscarcecanserveusthanourhorsesworse——

  TheysaynooneshouldrobanotherofThesinglesatisfactionhehasleftOfsinginghisownsorrows;onesogreat,Sosayssomegreatphilosopher,thattroubleWereworthencount\'ringonlyforthesakeOfweepingover——whatperhapsyouknowSomepoetcallsthe\'luxuryofwoe。\'

  FIFE。

  HadIthepoetorphilosopherIntheplaceofherthatkick\'dmeofftoride,I\'dtesthistheoryuponhishide。

  Butnobonesbroken,madam——sir,Imean?——

  ROS。

  Ascratchherethatahandkerchiefwillheal——

  Andyou?——

  FIFE。

  Ascratchin/quiddity/,orkind:

  Butnotin\'/quo/\'——mywoundsareallbehind。

  But,asyousay,tostopthisstrain,Which,somehow,onceone\'sinthevein,Comesclatteringafter——thereagain!——

  Whatarewetwain——deucetake\'t!——wetwo,Imean,todo——drench\'dthroughandthrough——

  Oh,Ishallchokeofrhymes,whichIbelieveAreallthatweshallhavetoliveonhere。

  ROS。

  What,isourvictualgonetoo?——

  FIFE。

  Ay,thatbruteHascarriedallwehadawaywithher,Clothing,andcate,andall。

  ROS。

  Andnowthesun,Ouronlyfriendandguide,abouttosinkUnderthestageofearth。

  FIFE。

  AndenterNight,WithCapayEspada——and——prayheaven!

  Withbutherlanthornalso。

  ROS。

  Ah,IdoubtTo—night,ifany,withadarkone——orAlmostburntoutafteramonth\'sconsumption。

  Well!wellorill,onhorsebackorafoot,ThisisthegatethatletsmeintoPoland;

  And,sorrywelcomeasshegivesaguestWhowriteshisownarrivalonherrocksInhisownblood——

  Yetbetteronherstonythresholddie,ThanliveonunrevengedinMuscovy。

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