第3章
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  EDITOR\'SPREFACETOTHENEWEDITIONOF\'WUTHERINGHEIGHTS\'

  IHAVEjustreadover\'WutheringHeights,\'and,forthefirsttime,haveobtainedaclearglimpseofwhataretermed(and,perhaps,reallyare)itsfaults;havegainedadefinitenotionofhowitappearstootherpeople-tostrangerswhoknewnothingoftheauthor;whoareunacquaintedwiththelocalitywherethescenesofthestoryarelaid;towhomtheinhabitants,thecustoms,thenaturalcharacteristicsoftheoutlyinghillsandhamletsintheWestRidingofYorkshirearethingsalienandunfamiliar。

  Toallsuch\'WutheringHeights\'mustappeararudeandstrangeproduction。ThewildmoorsoftheNorthofEnglandcanforthemhavenointerest:thelanguage,themanners,theverydwellingsandhouseholdcustomsofthescatteredinhabitantsofthosedistrictsmustbetosuchreadersinagreatmeasureunintelligible,and-whereintelligible-repulsive。Menandwomenwho,perhaps,naturallyverycalm,andwithfeelingsmoderateindegree,andlittlemarkedinkind,havebeentrainedfromtheircradletoobservetheutmostevennessofmannerandguardednessoflanguage,willhardlyknowwhattomakeoftherough,strongutterance,theharshlymanifestedpassions,theunbridledaversions,andheadlongpartialitiesofunletteredmoorlandhindsandruggedmoorlandsquires,whohavegrownupuntaughtandunchecked,exceptbyMentorsasharshasthemselves。Alargeclassofreaders,likewise,willsuffergreatlyfromtheintroductionintothepagesofthisworkofwordsprintedwithalltheirletters,whichithasbecomethecustomtorepresentbytheinitialandfinalletteronly-ablanklinefillingtheinterval。Imayaswellsayatoncethat,forthiscircumstance,itisoutofmypowertoapologise;deemingit,myself,arationalplantowritewordsatfulllength。Thepracticeofhintingbysinglelettersthoseexpletiveswithwhichprofaneandviolentpersonsarewonttogarnishtheirdiscourse,strikesmeasaproceedingwhich,howeverwellmeant,isweakandfutile。Icannottellwhatgooditdoes-

  whatfeelingitspares-whathorroritconceals。

  Withregardtotherusticityof\'Wutheringheights,\'Iadmitthecharge,forIfeelthequality。Itisrusticallthrough。Itismoorish,andwild,andknottyasarootofheath。Norwasitnaturalthatitshouldbeotherwise;theauthorbeingherselfanativeandnurslingofthemoors。Doubtless,hadherlotbeencastinatown,herwritings,ifshehadwrittenatall,wouldhavepossessedanothercharacter。Evenhadchanceortasteledhertochooseasimilarsubject,shewouldhavetreateditotherwise。HadEllisBellbeenaladyoragentlemanaccustomedtowhatiscalled\'theworld,\'herviewofaremoteandunreclaimedregion,aswellasofthedwellerstherein,wouldhavedifferedgreatlyfromthatactuallytakenbythehome-bredcountrygirl。Doubtlessitwouldhavebeenwider-morecomprehensive:whetheritwouldhavebeenmoreoriginalormoretruthfulisnotsocertain。Asfarasthesceneryandlocalityareconcerned,itcouldscarcelyhavebeensosympathetic:EllisBelldidnotdescribeasonewhoseeyeandtastealonefoundpleasureintheprospect;hernativehillswerefarmoretoherthanaspectacle;theywerewhatshelivedin,andby,asmuchasthewildbirds,theirtenants,orastheheather,theirproduce。Herdescriptions,then,ofnaturalsceneryarewhattheyshouldbe,andalltheyshouldbe。

  Wheredelineationofhumancharacterisconcerned,thecaseisdifferent。Iamboundtoavowthatshehadscarcelymorepracticalknowledgeofthepeasantryamongstwhomshelived,thananunhasofthecountrypeoplewhosometimespassherconventgates。Mysister\'sdispositionwasnotnaturallygregarious;circumstancesfavouredandfosteredhertendencytoseclusion;excepttogotochurchortakeawalkonthehills,sherarelycrossedthethresholdofhome。Thoughherfeelingforthepeopleroundwasbenevolent,intercoursewiththemsheneversought;nor,withveryfewexceptions,everexperienced。Andyetsheknowthem:knewtheirways,theirlanguage,theirfamilyhistories;shecouldhearofthemwithinterest,andtalkofthemwithdetail,minute,graphic,andaccurate;butWITHthem,sherarelyexchangedaword。

  Henceitensuedthatwhathermindhadgatheredoftherealconcerningthem,wastooexclusivelyconfinedtothosetragicandterribletraitsofwhich,inlisteningtothesecretannalsofeveryrudevicinage,thememoryissometimescompelledtoreceivetheimpress。Herimagination,whichwasaspiritmoresombrethansunny,morepowerfulthansportive,foundinsuchtraitsmaterialwhenceitwroughtcreationslikeHeathcliff,likeEarnshaw,likeCatherine。Havingformedthesebeings,shedidnotknowwhatshehaddone。Iftheauditorofherwork,whenreadinmanuscript,shudderedunderthegrindinginfluenceofnaturessorelentlessandimplacable,ofspiritssolostandfallen;ifitwascomplainedthatthemerehearingofcertainvividandfearfulscenesbanishedsleepbynight,anddisturbedmentalpeacebyday,EllisBellwouldwonderwhatwasmeant,andsuspectthecomplainantofaffectation。

  Hadshebutlived,hermindwouldofitselfhavegrownlikeastrongtree,loftier,straighter,wider-spreading,anditsmaturedfruitswouldhaveattainedamellowerripenessandsunnierbloom;

  butonthatmindtimeandexperiencealonecouldwork:totheinfluenceofotherintellectsitwasnotamenable。

  Havingavowedthatovermuchof\'WutheringHeights\'therebroods\'ahorrorofgreatdarkness\';that,initsstorm-heatedandelectricalatmosphere,weseemattimestobreathelightning:letmepointtothosespotswherecloudedday-lightandtheeclipsedsunstillattesttheirexistence。Foraspecimenoftruebenevolenceandhomelyfidelity,lookatthecharacterofNellyDean;foranexampleofconstancyandtenderness,remarkthatofEdgarLinton。

  (Somepeoplewillthinkthesequalitiesdonotshinesowellincarnateinamanastheywoulddoinawoman,butEllisBellcouldneverbebroughttocomprehendthisnotion:nothingmovedhermorethananyinsinuationthatthefaithfulnessandclemency,thelong-sufferingandloving-kindnesswhichareesteemedvirtuesinthedaughtersofEve,becomefoiblesinthesonsofAdam。SheheldthatmercyandforgivenessarethedivinestattributesoftheGreatBeingwhomadebothmanandwoman,andthatwhatclothestheGodheadinglory,candisgracenoformoffeeblehumanity。)ThereisadrysaturninehumourinthedelineationofoldJoseph,andsomeglimpsesofgraceandgaietyanimatetheyoungerCatherine。

  Noriseventhefirstheroineofthenamedestituteofacertainstrangebeautyinherfierceness,orofhonestyinthemidstofpervertedpassionandpassionateperversity。

  Heathcliff,indeed,standsunredeemed;neveronceswervinginhisarrow-straightcoursetoperdition,fromthetimewhen\'thelittleblack-hairedswarthything,asdarkasifitcamefromtheDevil,\'

  wasfirstunrolledoutofthebundleandsetonitsfeetinthefarmhousekitchen,tothehourwhenNellyDeanfoundthegrim,stalwartcorpselaidonitsbackinthepanel-enclosedbed,withwide-gazingeyesthatseemed\'tosneeratherattempttoclosethem,andpartedlipsandsharpwhiteteeththatsneeredtoo。\'

  Heathcliffbetraysonesolitaryhumanfeeling,andthatisNOThisloveforCatherine;whichisasentimentfierceandinhuman:apassionsuchasmightboilandglowinthebadessenceofsomeevilgenius;afirethatmightformthetormentedcentre-theever-

  sufferingsoulofamagnateoftheinfernalworld:andbyitsquenchlessandceaselessravageeffecttheexecutionofthedecreewhichdoomshimtocarryHellwithhimwhereverhewanders。No;

  thesinglelinkthatconnectsHeathcliffwithhumanityishisrudely-confessedregardforHaretonEarnshaw-theyoungmanwhomhehasruined;andthenhishalf-impliedesteemforNellyDean。

  Thesesolitarytraitsomitted,weshouldsayhewaschildneitherofLascarnorgipsy,butaman\'sshapeanimatedbydemonlife-aGhoul-anAfreet。

  WhetheritisrightoradvisabletocreatebeingslikeHeathcliff,Idonotknow:Iscarcelythinkitis。ButthisIknow:thewriterwhopossessesthecreativegiftownssomethingofwhichheisnotalwaysmaster-somethingthat,attimes,strangelywillsandworksforitself。Hemaylaydownrulesanddeviseprinciples,andtorulesandprinciplesitwillperhapsforyearslieinsubjection;andthen,haplywithoutanywarningofrevolt,therecomesatimewhenitwillnolongerconsentto\'harrowthevalleys,orbeboundwithabandinthefurrow\'-whenit\'laughsatthemultitudeofthecity,andregardsnotthecryingofthedriver\'-

  when,refusingabsolutelytomakeropesoutofsea-sandanylonger,itsetstoworkonstatue-hewing,andyouhaveaPlutooraJove,aTisiphoneoraPsyche,aMermaidoraMadonna,asFateorInspirationdirect。Betheworkgrimorglorious,dreadordivine,youhavelittlechoiceleftbutquiescentadoption。Asforyou-

  thenominalartist-yourshareinithasbeentoworkpassivelyunderdictatesyouneitherdeliverednorcouldquestion-thatwouldnotbeutteredatyourprayer,norsuppressednorchangedatyourcaprice。Iftheresultbeattractive,theWorldwillpraiseyou,wholittledeservepraise;ifitberepulsive,thesameWorldwillblameyou,whoalmostaslittledeserveblame。

  \'WutheringHeights\'washewninawildworkshop,withsimpletools,outofhomelymaterials。Thestatuaryfoundagraniteblockonasolitarymoor;gazingthereon,hesawhowfromthecragmightbeelicitedahead,savage,swart,sinister;aformmouldedwithatleastoneelementofgrandeur-power。Hewroughtwitharudechisel,andfromnomodelbutthevisionofhismeditations。Withtimeandlabour,thecragtookhumanshape;andthereitstandscolossal,dark,andfrowning,halfstatue,halfrock:intheformersense,terribleandgoblin-like;inthelatter,almostbeautiful,foritscolouringisofmellowgrey,andmoorlandmossclothesit;andheath,withitsbloomingbellsandbalmyfragrance,growsfaithfullyclosetothegiant\'sfoot。

  CURRERBELL。

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