第25章
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  Whilestandingnearalargemirrorinoneofthecourtsdevotedtofurniture,Car’linestarted,forintheglassappearedthereflectionofaformexactlyresemblingMopOllamoor’s——soexactly,thatitseemedimpossibletobelieveanybodybutthatartistinpersontobetheoriginal。OnpassingroundtheobjectswhichhemmedinNed,her,andthechildfromadirectview,noMopwastobeseen。WhetherhewerereallyinLondonornotatthattimewasneverknown;andCar’linealwaysstoutlydeniedthatherreadinesstogoandmeetNedintownarosefromanyrumourthatMophadalsogonethither;whichdenialtherewasnoreasonablegroundfordoubting。

  Andthentheyearglidedaway,andtheExhibitionfoldeditselfupandbecameathingofthepast。Theparktreesthathadbeenenclosedforsixmonthswereagainexposedtothewindsandstorms,andthesodgrewgreenanew。NedfoundthatCar’lineresolvedherselfintoaverygoodwifeandcompanion,thoughshehadmadeherselfwhatiscalledcheaptohim;butinthatshewaslikeanotherdomesticarticle,acheaptea-pot,whichoftenbrewsbetterteathanadearone。OneautumnHipcroftfoundhimselfwithbutlittleworktodo,andaprospectoflessforthewinter。Bothbeingcountrybornandbred,theyfanciedtheywouldliketoliveagainintheirnaturalatmosphere。Itwasaccordinglydecidedbetweenthemthattheyshouldleavethepent-upLondonlodging,andthatNedshouldseekoutemploymentnearhisnativeplace,hiswifeandherdaughterstayingwithCar’line’sfatherduringthesearchforoccupationandanabodeoftheirown。

  TinglingsofpleasurepervadedCar’line’sspasmodiclittleframeasshejourneyeddownwithNedtotheplaceshehadlefttwoorthreeyearsbefore,insilenceandunderacloud。Toreturntowhereshehadoncebeendespised,asmilingLondonwifewithadistinctLondonaccent,wasatriumphwhichtheworlddidnotwitnesseveryday。

  ThetraindidnotstopatthepettyroadsidestationthatlaynearesttoStickleford,andthetriowentontoCasterbridge。Nedthoughtitagoodopportunitytomakeafewpreliminaryinquiriesforemploymentatworkshopsintheboroughwherehehadbeenknown;andfeelingcoldfromherjourney,anditbeingdryunderfootandonlyduskasyet,withamoononthepointofrising,Car’lineandherlittlegirlwalkedontowardStickleford,leavingNedtofollowataquickerpace,andpickherupatacertainhalf-wayhouse,widelyknownasaninn。

  Thewomanandchildpursuedthewell-rememberedwaycomfortablyenough,thoughtheywerebothbecomingwearied。InthecourseofthreemilestheyhadpassedHeedless-William’sPond,thefamiliarlandmarkbyBloom’sEnd,andweredrawingneartheQuietWomanInn,aloneroadsidehostelonthelowervergeoftheEgdonHeath,sinceandformanyyearsabolished。InsteppinguptowardsitCar’lineheardmorevoiceswithinthanhadformerlybeencustomaryatsuchanhour,andshelearnedthatanauctionoffatstockhadbeenheldnearthespotthatafternoon。Thechildwouldbethebetterforarestaswellasherself,shethought,andsheentered。

  Theguestsandcustomersoverflowedintothepassage,andCar’linehadnosoonercrossedthethresholdthanamanwhomsherememberedbysightcameforwardwithglassandmuginhishandstowardsafriendleaningagainstthewall;but,seeingher,verygallantlyofferedheradrinkoftheliquor,whichwasgin-and-beerhot,pouringheroutatumblerfulandsaying,inamomentortwo:’Surely,’tislittleCar’lineAspentthatwas——downatStickleford?’

  Sheassented,and,thoughshedidnotexactlywantthisbeverage,shedrankitsinceitwasoffered,andherentertainerbeggedhertocomeinfartherandsitdown。Oncewithintheroomshefoundthatallthepersonspresentwereseatedcloseagainstthewalls,andtherebeingachairvacantshedidthesame。Anexplanationoftheirpositionoccurredthenextmoment。IntheoppositecornerstoodMop,rosininghisbowandlookingjustthesameasever。Thecompanyhadclearedthemiddleoftheroomfordancing,andtheywereabouttodanceagain。Assheworeaveiltokeepoffthewindshedidnotthinkhehadrecognizedher,orcouldpossiblyguesstheidentityofthechild;andtohersatisfiedsurpriseshefoundthatshecouldconfronthimquitecalmly——mistressofherselfinthedignityherLondonlifehadgivenher。Beforeshehadquiteemptiedherglassthedancewascalled,thedancersformedintwolines,themusicsounded,andthefigurebegan。

  ThenmatterschangedforCar’line。Atremorquickeneditselftolifeinher,andherhandsoshookthatshecouldhardlysetdownherglass。Itwasnotthedancenorthedancers,butthenotesofthatoldviolinwhichthrilledtheLondonwife,thesehavingstillallthewitcherythatshehadsowellknownofyore,andunderwhichshehadusedtoloseherpowerofindependentwill。Howitallcameback!

  Therewasthefiddlingfigureagainstthewall;thelarge,oily,mop-

  likeheadofhim,andbeneaththemopthefacewithclosedeyes。

  Afterthefirstmomentsofparalyzedreveriethefamiliartuneinthefamiliarrenderingmadeherlaughandshedtearssimultaneously。

  Thenamanatthebottomofthedance,whosepartnerhaddroppedaway,stretchedouthishandandbeckonedtohertotaketheplace。

  Shedidnotwanttodance;sheentreatedbysignstobeleftwhereshewas,butshewasentreatingofthetuneanditsplayerratherthanofthedancingman。ThesaltatorytendencywhichthefiddlerandhiscunninginstrumenthadeverbeenabletostartinherwasseizingCar’linejustasithaddoneinearlieryears,possiblyassistedbythegin-and-beerhot。Tiredasshewasshegraspedherlittlegirlbythehand,andplunginginatthebottomofthefigure,whirledaboutwiththerest。Shefoundthathercompanionsweremostlypeopleoftheneighbouringhamletsandfarms——Bloom’sEnd,Mellstock,Lewgate,andelsewhere;andbydegreesshewasrecognizedassheconvulsivelydancedon,wishingthatMopwouldceaseandletherheartrestfromtheachinghecaused,andherfeetalso。

  Afterlongandmanyminutesthedanceended,whenshewasurgedtofortifyherselfwithmoregin-and-beer;whichshedid,feelingveryweakandoverpoweredwithhystericemotion。Sherefrainedfromunveiling,tokeepMopinignoranceofherpresence,ifpossible。

  Severaloftheguestshavingleft,Car’linehastilywipedherlipsandalsoturnedtogo;but,accordingtotheaccountofsomewhoremained,atthatverymomentafive-handedreelwasproposed,inwhichtwoorthreebeggedhertojoin。

  ShedeclinedonthepleaofbeingtiredandhavingtowalktoStickleford,whenMopbeganaggressivelytweedling’MyFancy-Lad,’inDmajor,astheairtowhichthereelwastobefooted。Hemusthaverecognizedher,thoughshedidnotknowit,foritwasthestrainofallseductivestrainswhichshewasleastabletoresist——theonehehadplayedwhenshewasleaningoverthebridgeatthedateoftheirfirstacquaintance。Car’linesteppeddespairinglyintothemiddleoftheroomwiththeotherfour。

  Reelswereresortedtohereaboutsatthistimebythemorerobustspirits,forthereductionofsuperfluousenergywhichtheordinaryfigure-danceswerenotpowerfulenoughtoexhaust。Aseverybodyknows,ordoesnotknow,thefivereelersstoodintheformofacross,thereelbeingperformedbyeachlineofthreealternately,thepersonswhosuccessivelycametothemiddleplacedancinginbothdirections。Car’linesoonfoundherselfinthisplace,theaxisofthewholeperformance,andcouldnotgetoutofit,thetuneturningintothefirstpartwithoutgivingheropportunity。AndnowshebegantosuspectthatMopdidknowher,andwasdoingthisonpurpose,thoughwhenevershestoleaglanceathimhisclosedeyesbetokenedobliviousnesstoeverythingoutsidehisownbrain。Shecontinuedtowendherwaythroughthefigureof8thatwasformedbyhercourse,thefiddlerintroducingintohisnotesthewildandagonizingsweetnessofalivingvoiceinonetoohighlywrought;itspathosrunninghighandrunninglowinendlessvariation,projectingthroughhernervesexcruciatingspasms,asortofblissfultorture。

  Theroomswam,thetunewasendless;andinaboutaquarterofanhourtheonlyotherwomaninthefiguredroppedoutexhausted,andsankpantingonabench。

  Thereelinstantlyresolveditselfintoafour-handedone。Car’linewouldhavegivenanythingtoleaveoff;butshehad,orfanciedshehad,nopower,whileMopplayedsuchtunes;andthusanothertenminutesslippedby,ahazeofdustnowcloudingthecandles,thefloorbeingofstone,sanded。Thenanotherdancerfellout——oneofthemen——andwentintothepassage,inafranticsearchforliquor。

  Toturnthefigureintoathree-handedreelwastheworkofasecond,Mopmodulatingatthesametimeinto’TheFairyDance,’asbettersuitedtothecontractedmovement,andnolessoneofthosefoodsoflovewhich,asmanufacturedbyhisbow,hadalwaysintoxicatedher。

  Inareelforthreetherewasnorestwhatever,andfourorfiveminuteswereenoughtomakeherremainingtwopartners,nowthoroughlyblown,stamptheirlastbarand,liketheirpredecessors,limpoffintothenextroomtogetsomethingtodrink。Car’line,half-stifledinsideherveil,wasleftdancingalone,theapartmentnowbeingemptyofeverybodysaveherself,Mop,andtheirlittlegirl。

  Sheflunguptheveil,andcasthereyesuponhim,asifimploringhimtowithdrawhimselfandhisacousticmagnetismfromtheatmosphere。Mopopenedoneofhisownorbs,asthoughforthefirsttime,fixeditpeeringlyuponher,andsmilingdreamily,threwintohisstrainsthereserveofexpressionwhichhecouldnotaffordtowasteonabigandnoisydance。Crowdsoflittlechromaticsubtleties,capableofdrawingtearsfromastatue,proceededstraightwayfromtheancientfiddle,asifitweredyingoftheemotionwhichhadbeenpentupwithiniteversinceitsbanishmentfromsomeItaliancitywhereitfirsttookshapeandsound。TherewasthatinthelookofMop’sonedarkeyewhichsaid:’Youcannotleaveoff,dear,whetheryouwouldorno!’anditbredinheraparoxysmofdesperationthatdefiedhimtotireherdown。

  Shethuscontinuedtodancealone,defiantlyasshethought,butintruthslavishlyandabjectly,subjecttoeverywaveofthemelody,andprobedbythegimlet-likegazeofherfascinator’sopeneye;

  keepingupatthesametimeafeeblesmileinhisface,asafeinttosignifyitwasstillherownpleasurewhichledheron。Aterrifiedembarrassmentastowhatshecouldsaytohimifsheweretoleaveoff,haditsunrecognizedshareinkeepinghergoing。Thechild,whowasbeginningtobedistressedbythestrangesituation,cameupandsaid:’Stop,mother,stop,andlet’sgohome!’assheseizedCar’line’shand。

  SuddenlyCar’linesankstaggeringtothefloor;androllingoveronherface,pronesheremained。Mop’sfiddlethereuponemittedanelfinshriekoffinality;steppingquicklydownfromthenine-gallonbeer-caskwhichhadformedhisrostrum,hewenttothelittlegirl,whodisconsolatelybentoverhermother。

  Theguestswhohadgoneintotheback-roomforliquorandchangeofair,hearingsomethingunusual,troopedbackhitherward,wheretheyendeavouredtorevivepoor,weakCar’linebyblowingherwiththebellowsandopeningthewindow。Ned,herhusband,whohadbeendetainedinCasterbridge,asaforesaid,camealongtheroadatthisjuncture,andhearingexcitedvoicesthroughtheopencasement,andtohisgreatsurprise,thementionofhiswife’sname,heenteredamidtherestuponthescene。Car’linewasnowinconvulsions,weepingviolently,andforalongtimenothingcouldbedonewithher。WhilehewassendingforacarttotakeheronwardtoSticklefordHipcroftanxiouslyinquiredhowithadallhappened;andthentheassemblyexplainedthatafiddlerformerlyknowninthelocalityhadlatelyrevisitedhisoldhaunts,andhadtakenuponhimselfwithoutinvitationtoplaythateveningattheinn。

  Neddemandedthefiddler’sname,andtheysaidOllamoor。

  ’Ah!’exclaimedNed,lookingroundhim。’Whereishe,andwhere——

  where’smylittlegirl?’

  Ollamoorhaddisappeared,andsohadthechild。Hipcroftwasinordinaryaquietandtractablefellow,butadeterminationwhichwastobefearedsettledinhisfacenow。’Blasthim!’hecried。’I’llbeathisskullinfor’n,ifIswingforitto-morrow!’

  Hehadrushedtothepokerwhichlayonthehearth,andhasteneddownthepassage,thepeoplefollowing。Outsidethehouse,ontheothersideofthehighway,amassofdarkheath-landrosesullenlyupwardtoitsnoteasilyaccessibleinterior,aravinedplateau,whereonjuttedintothesky,atthedistanceofacoupleofmiles,thefir-

  woodsofMistoverbackedbytheYalburycoppices——aplaceofDantesquegloomatthishour,whichwouldhaveaffordedsecurehidingforabatteryofartillery,muchlessamanandachild。

  Someothermenplungedthitherwardwithhim,andmorewentalongtheroad。Theyweregoneabouttwentyminutesaltogether,returningwithoutresulttotheinn。Nedsatdowninthesettle,andclaspedhisforeheadwithhishands。

  ’Well——whatafoolthemanis,andhevbeenalltheseyears,ifhethinksthechildhis,asa’doseemto!’theywhispered。’Andeverybodyelseknowingotherwise!’

  ’No,Idon’tthink’tismine!’criedNedhoarsely,ashelookedupfromhishands。’Butsheismine,allthesame!Ha’n’tInussedher?Ha’n’tIfedherandteachedher?Ha’n’tIplayedwi’her?O,littleCarry——gonewiththatrogue——gone!’

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