第4章
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  MadameDescoings’spassionforcedhertobecontentwithfiftyfrancsamonthforherdomesticexpenses,soastogamblewiththerest。

  Ontheotherhand,MadameBridau,motherlylove,keptherexpensesdowntothesamesum。Bywayofpenanceforherformerover-

  confidence,sheheroicallycutoffherownlittleenjoyments。Aswithothertimidsoulsoflimitedintelligence,oneshocktoherfeelingsrousingherdistrustledhertoexaggerateadefectinhercharacteruntilitassumedtheconsistencyofavirtue。TheEmperor,shesaidtoherself,mightforgetthem;hemightdieinbattle;herpension,atanyrate,ceasedwithherlife。Sheshudderedattheriskherchildrenranofbeingleftaloneintheworldwithoutmeans。QuiteincapableofunderstandingRoguinwhenheexplainedtoherthatinsevenyearsMadameDescoings’sassignmentwouldreplacethemoneyshehadsoldoutoftheFunds,shepersistedintrustingneitherthenotarynorheraunt,noreventhegovernment;shebelievedinnothingbutherselfandtheprivationsshewaspractising。Bylayingasidethreethousandfrancseveryyearfromherpension,shewouldhavethirtythousandfrancsattheendoftenyears;whichwouldgivefifteenhundredayeartoherchildren。Atthirty-six,shemightexpecttolivetwentyyearslonger;andifshekepttothesamesystemofeconomyshemightleavetoeachchildenoughforthebarenecessariesoflife。

  Thusthetwowidowspassedfromhollowopulencetovoluntarypoverty,——oneunderthepressureofavice,theotherthroughthepromptingsofthepurestvirtue。Noneofthesepettydetailsareuselessinteachingthelessonwhichoughttobelearnedfromthispresenthistory,drawnasitisfromthemostcommonplaceinterestsoflife,butwhosebearingsare,itmaybe,onlythemorewidespread。Theviewfromthewindowsintothestudentdens;thetumultoftherapinsbelow;thenecessityoflookingupattheskytoescapethemiserablesightsofthedampangleofthestreet;thepresenceofthatportrait,fullofsoulandgrandeurdespitetheworkmanshipofanamateurpainter;thesightoftherichcolors,nowoldandharmonious,inthatcalmandplacidhome;thepreferenceofthemotherforhereldestchild;heroppositiontothetastesoftheyounger;inshort,thewholebodyoffactsandcircumstanceswhichmakethepreambleofthishistoryareperhapsthegeneratingcausestowhichweoweJosephBridau,oneofthegreatestpaintersofthemodernFrenchschoolofart。

  Philippe,theelderofthetwosons,wasstrikinglylikehismother。

  Thoughablondlad,withblueeyes,hehadthedaringlookwhichisreadilytakenforintrepidityandcourage。OldClaparon,whoenteredtheministryoftheinterioratthesametimeasBridau,andwasoneofthefaithfulfriendswhoplayedwhisteverynightwiththetwowidows,usedtosayofPhilippetwoorthreetimesamonth,givinghimataponthecheek,“Here’sayoungrascalwho’llstandtohisguns!“

  Theboy,thusstimulated,naturallyandoutofbravado,assumedaresolutemanner。Thatturnoncegiventohischaracter,hebecameveryadroitatallbodilyexercises;hisfightsattheLyceumtaughthimtheenduranceandcontemptforpainwhichlaysthefoundationofmilitaryvalor。Healsoacquired,verynaturally,adistasteforstudy;publiceducationbeingunabletosolvethedifficultproblemofdeveloping“paripassu“thebodyandthemind。

  AgathebelievedthatthepurelyphysicalresemblancewhichPhilippeboretohercarriedwithitamorallikeness;andsheconfidentlyexpectedhimtoshowatafuturedayherowndelicacyoffeeling,heightenedbythevigorofmanhood。PhilippewasfifteenyearsoldwhenhismothermovedintothemelancholyappartementintherueMazarin;andthewinningwaysofaladofthatagewentfartoconfirmthematernalbeliefs。Joseph,threeyearsyounger,waslikehisfather,butonlyonthedefectiveside。Inthefirstplace,histhickblackhairwasalwaysindisorder,nomatterwhatpainsweretakenwithit;whilePhilippe’s,notwithstandinghisvivacity,wasinvariablyneat。Then,bysomemysteriousfatality,Josephcouldnotkeephisclothesclean;dresshiminnewclothes,andheimmediatelymadethemlooklikeoldones。Theelder,ontheotherhand,tookcareofhisthingsoutofmerevanity。Unconsciously,themotheracquiredahabitofscoldingJosephandholdinguphisbrotherasanexampletohim。Agathedidnottreatthetwochildrenalike;whenshewenttofetchthemfromschool,thethoughtinhermindastoJosephalwayswas,“WhatsortofstateshallIfindhimin?“Thesetriflesdroveherheartintothegulfofmaternalpreference。

  Nooneamongtheveryordinarypersonswhomadethesocietyofthetwowidows——neitheroldDuBruelnoroldClaparon,norDesrochesthefather,noreventheAbbeLoraux,Agathe’sconfessor——noticedJoseph’sfacultyforobservation。Absorbedinthelineofhisowntastes,thefuturecoloristpaidnoattentiontoanythingthatconcernedhimself。

  Duringhischildhoodthisdispositionwassoliketorporthathisfathergrewuneasyabouthim。Theremarkablesizeoftheheadandthewidthofthebrowrousedafearthatthechildmightbeliabletowateronthebrain。Hisdistressfulface,whoseoriginalitywasthoughtuglinessbythosewhohadnoeyeforthemoralvalueofacountenance,woreratherasullenexpressionduringhischildhood。Thefeatures,whichdevelopedlaterinlife,werepinched,andthecloseattentionthechildpaidtowhatwentonabouthimstillfurthercontractedthem。Philippeflatteredhismother’svanity,butJosephwonnocompliments。Philippesparkledwiththecleversayingsandlivelyanswersthatleadparentstobelievetheirboyswillturnoutremarkablemen;Josephwastaciturn,andadreamer。ThemotherhopedgreatthingsofPhilippe,andexpectednothingofJoseph。

  Joseph’spredilectionforartwasdevelopedbyaverycommonplaceincident。DuringtheEasterholidaysof1812,ashewascominghomefromawalkintheTuilerieswithhisbrotherandMadameDescoings,hesawapupildrawingacaricatureofsomeprofessoronthewalloftheInstitute,andstoppedshortwithadmirationatthecharcoalsketch,whichwasfullofsatire。ThenextdaythechildstoodatthewindowwatchingthepupilsastheyenteredthebuildingbythedoorontherueMazarin;thenherandownstairsandslippedfurtivelyintothelongcourtyardoftheInstitute,fullofstatues,busts,half-finishedmarbles,plasters,andbakedclays;atallofwhichhegazedfeverishly,forhisinstinctwasawakened,andhisvocationstirredwithinhim。Heenteredaroomontheground-floor,thedoorofwhichwashalfopen;andtherehesawadozenyoungmendrawingfromastatue,whoatoncebegantomakefunofhim。

  “Hi!littleone,“criedthefirsttoseehim,takingthecrumbsofhisbreadandscatteringthematthechild。

  “Whosechildishe?“

  “Goodness,howugly!“

  ForaquarterofanhourJosephstoodstillandborethebruntofmuchteasingintheatelierofthegreatsculptor,Chaudet。Butafterlaughingathimforatime,thepupilswerestruckwithhispersistencyandwiththeexpressionofhisface。Theyaskedhimwhathewanted。Josephansweredthathewishedtoknowhowtodraw;

  thereupontheyallencouragedhim。Wonbysuchfriendliness,thechildtoldthemhewasMadameBridau’sson。

  “Oh!ifyouareMadameBridau’sson,“theycried,fromallpartsoftheroom,“youwillcertainlybeagreatman。LonglivethesonofMadameBridau!Isyourmotherpretty?Ifyouareasampleofher,shemustbestylish!“

  “Ha!youwanttobeanartist?“saidtheeldestpupil,cominguptoJoseph,“butdon’tyouknowthatthatrequirespluck;you’llhavetobearallsortsoftrials,——yes,trials,——enoughtobreakyourlegsandarmsandsoulandbody。Allthefellowsyouseeherehavegonethroughregularordeals。Thatone,forinstance,hewentsevendayswithouteating!Letmesee,now,ifyoucanbeanartist。“

  Hetookoneofthechild’sarmsandstretcheditstraightupintheair;thenheplacedtheotherarmasifJosephwereintheactofdeliveringablowwithhisfist。

  “Nowthat’swhatwecallthetelegraphtrial,“saidthepupil。“Ifyoucanstandlikethat,withoutloweringorchangingthepositionofyourarmsforaquarterofanhour,thenyou’llhaveprovedyourselfapluckyone。“

  “Courage,littleone,courage!“criedalltherest。“Youmustsufferifyouwanttobeanartist。“

  Joseph,withthegoodfaithofhisthirteenyears,stoodmotionlessforfiveminutes,allthepupilsgazingsolemnlyathim。

  “There!youaremoving,“criedone。

  “Steady,steady,confoundyou!“criedanother。

  “TheEmperorNapoleonstoodawholemonthasyouseehimthere,“saidathird,pointingtothefinestatuebyChaudet,whichwasintheroom。

  Thatstatue,whichrepresentstheEmperorstandingwiththeImperialsceptreinhishand,wastorndownin1814fromthecolumnitsurmountedsowell。

  AttheendoftenminutesthesweatstoodindropsonJoseph’sforehead。Atthatmomentabald-headedlittleman,paleandsicklyinappearance,enteredtheatelier,whererespectfulsilencereignedatonce。

  “Whatyouareabout,youurchins?“heexclaimed,ashelookedattheyouthfulmartyr。

  “Thatisagoodlittlefellow,whoisposing,“saidthetallpupilwhohadplacedJoseph。

  “Areyounotashamedtotortureapoorchildinthatway?“saidChaudet,loweringJoseph’sarms。“Howlonghaveyoubeenstandingthere?“heaskedtheboy,givinghimafriendlylittlepatonthecheek。

  “Aquarterofanhour。“

  “Whatbroughtyouhere?“

  “Iwanttobeanartist。“

  “Wheredoyoubelong?wheredoyoucomefrom?“

  “Frommamma’shouse。“

  “Oh!mamma!“criedthepupils。

  “Silenceattheeasels!“criedChaudet。“Whoisyourmamma?“

  “SheisMadameBridau。Mypapa,whoisdead,wasafriendoftheEmperor;andifyouwillteachmetodraw,theEmperorwillpayallyouaskforit。“

  “HisfatherwasheadofadepartmentattheministryoftheInterior,“

  exclaimedChaudet,struckbyarecollection。“Soyouwanttobeanartist,atyourage?“

  “Yes,monsieur。“

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