第12章
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  Buthemakesallhiscalculationswiththenicestprecision,andgoesdartinginandoutamongaBroadwayconfusionofbusycraftwiththeeasyconfidenceoftheeducatedhackman。Henevermakesamistake。

  Sometimeswegoflyingdownthegreatcanalsatsuchagaitthatwecangetonlythemerestglimpsesintofrontdoors,andagain,inobscurealleysinthesuburbs,weputonasolemnitysuitedtothesilence,themildew,thestagnantwaters,theclingingweeds,thedesertedhousesandthegenerallifelessnessoftheplace,andmovetothespiritofgravemeditation。

  Thegondolierisapicturesquerascalforallhewearsnosatinharness,noplumedbonnet,nosilkentights。Hisattitudeisstately;heislitheandsupple;allhismovementsarefullofgrace。Whenhislongcanoe,andhisfinefigure,toweringfromitshighperchonthestern,arecutagainsttheeveningsky,theymakeapicturethatisverynovelandstrikingtoaforeigneye。

  Wesitinthecushionedcarriage—bodyofacabin,withthecurtainsdrawn,andsmoke,orread,orlookoutuponthepassingboats,thehouses,thebridges,thepeople,andenjoyourselvesmuchmorethanwecouldinabuggyjoltingoverourcobble—stonepavementsathome。Thisisthegentlest,pleasantestlocomotionwehaveeverknown。

  Butitseemsqueer——eversoqueer——toseeaboatdoingdutyasaprivatecarriage。Weseebusinessmencometothefrontdoor,stepintoagondola,insteadofastreetcar,andgooffdowntowntothecounting—room。

  Weseevisitingyoungladiesstandonthestoop,andlaugh,andkissgood—bye,andflirttheirfansandsay\"Comesoon——nowdo——you\'vebeenjustasmeanaseveryoucanbe——mother\'sdyingtoseeyou——andwe\'vemovedintothenewhouse,Osuchaloveofaplace!——soconvenienttothepostofficeandthechurch,andtheYoungMen\'sChristianAssociation;

  andwedohavesuchfishing,andsuchcarryingon,andsuchswimming—matchesinthebackyard——Oh,youmustcome——nodistanceatall,andifyougodownthroughbySt。Mark\'sandtheBridgeofSighs,andcutthroughthealleyandcomeupbythechurchofSantaMariadeiFrari,andintotheGrandCanal,thereisn\'tabitofcurrent——nowdocome,SallyMaria——by—bye!\"andthenthelittlehumbugtripsdownthesteps,jumpsintothegondola,says,underherbreath,\"Disagreeableoldthing,Ihopeshewon\'t!\"goesskimmingaway,roundthecorner;andtheothergirlslamsthestreetdoorandsays,\"Well,thatinfliction\'sover,anyway,——butIsupposeI\'vegottogoandseeher——tiresomestuck—upthing!\"Humannatureappearstobejustthesame,allovertheworld。Weseethediffidentyoungman,mildofmoustache,affluentofhair,indigentofbrain,elegantofcostume,driveuptoherfather\'smansion,tellhishackmantobailoutandwait,startfearfullyupthestepsandmeet\"theoldgentleman\"rightonthethreshold!——hearhimaskwhatstreetthenewBritishBankisin——asifthatwerewhathecamefor——andthenbounceintohisboatandskurryawaywithhiscowardheartinhisboots!——seehimcomesneakingaroundthecorneragain,directly,withacrackofthecurtainopentowardtheoldgentleman\'sdisappearinggondola,andoutscampershisSusanwithaflockoflittleItalianendearmentsflutteringfromherlips,andgoestodrivewithhiminthewateryavenuesdowntowardtheRialto。

  Weseetheladiesgooutshopping,inthemostnaturalway,andflitfromstreettostreetandfromstoretostore,justinthegoodoldfashion,exceptthattheyleavethegondola,insteadofaprivatecarriage,waitingatthecurbstoneacoupleofhoursforthem,——waitingwhiletheymaketheniceyoungclerkspulldowntonsandtonsofsilksandvelvetsandmoireantiquesandthosethings;andthentheybuyapaperofpinsandgopaddlingawaytoconfertherestoftheirdisastrouspatronageonsomeotherfirm。

  Andtheyalwayshavetheirpurchasessenthomejustinthegoodoldway。

  Humannatureisverymuchthesameallovertheworld;anditissolikemydearnativehometoseeaVenetianladygointoastoreandbuytencents\'worthofblueribbonandhaveitsenthomeinascow。

  Ah,itistheselittletouchesofnaturethatmoveonetotearsinthesefar—offforeignlands。

  Weseelittlegirlsandboysgooutingondolaswiththeirnurses,foranairing。Weseestaidfamilies,withprayer—bookandbeads,enterthegondoladressedintheirSundaybest,andfloatawaytochurch。Andatmidnightweseethetheatrebreakupanddischargeitsswarmofhilariousyouthandbeauty;wehearthecriesofthehackman—gondoliers,andbeholdthestrugglingcrowdjumpaboard,andtheblackmultitudeofboatsgoskimmingdownthemoonlitavenues;weseethemseparatehereandthere,anddisappearupdivergentstreets;wehearthefaintsoundsoflaughterandofshoutedfarewellsfloatingupoutofthedistance;andthen,thestrangepageantbeinggone,wehavelonelystretchesofglitteringwater——ofstatelybuildings——ofblottingshadows——ofweirdstonefacescreepingintothemoonlight——ofdesertedbridges——ofmotionlessboatsatanchor。Andoverallbroodsthatmysteriousstillness,thatstealthyquiet,thatbefitssowellthisolddreamingVenice。

  Wehavebeenprettymucheverywhereinourgondola。Wehaveboughtbeadsandphotographsinthestores,andwaxmatchesintheGreatSquareofSt。Mark。Thelastremarksuggestsadigression。Everybodygoestothisvastsquareintheevening。Themilitarybandsplayinthecentreofitandcountlesscouplesofladiesandgentlemenpromenadeupanddownoneitherside,andplatoonsofthemareconstantlydriftingawaytowardtheoldCathedral,andbythevenerablecolumnwiththeWingedLionofSt。Markonitstop,andouttowheretheboatsliemoored;andotherplatoonsareasconstantlyarrivingfromthegondolasandjoiningthegreatthrong。

  Betweenthepromenadersandtheside—walksareseatedhundredsandhundredsofpeopleatsmalltables,smokingandtakinggranita,(afirstcousintoice—cream;)ontheside—walksaremoreemployingthemselvesinthesameway。Theshopsinthefirstfloorofthetallrowsofbuildingsthatwallinthreesidesofthesquarearebrilliantlylighted,theairisfilledwithmusicandmerryvoices,andaltogetherthesceneisasbrightandspiritedandfullofcheerfulnessasanymancoulddesire。Weenjoyitthoroughly。Verymanyoftheyoungwomenareexceedinglyprettyanddresswithraregoodtaste。Wearegraduallyandlaboriouslylearningtheill—mannersofstaringthemunflinchinglyintheface——notbecausesuchconductisagreeabletous,butbecauseitisthecustomofthecountryandtheysaythegirlslikeit。Wewishtolearnallthecurious,outlandishwaysofallthedifferentcountries,sothatwecan\"showoff\"andastonishpeoplewhenwegethome。Wewishtoexcitetheenvyofouruntraveledfriendswithourstrangeforeignfashionswhichwecan\'tshakeoff。Allourpassengersarepayingstrictattentiontothisthing,withtheendinviewwhichI

  havementioned。Thegentlereaderwillnever,neverknowwhataconsummateasshecanbecome,untilhegoesabroad。Ispeaknow,ofcourse,inthesuppositionthatthegentlereaderhasnotbeenabroad,andthereforeisnotalreadyaconsummateass。Ifthecasebeotherwise,Ibeghispardonandextendtohimthecordialhandoffellowshipandcallhimbrother。

  IshallalwaysdelighttomeetanassaftermyownheartwhenIshallhavefinishedmytravels。

  OnthissubjectletmeremarkthatthereareAmericansabroadinItalywhohaveactuallyforgottentheirmothertongueinthreemonths——forgotitinFrance。TheycannotevenwritetheiraddressinEnglishinahotelregister。Iappendtheseevidences,whichIcopiedverbatimfromtheregisterofahotelinacertainItaliancity:\"JohnP。Whitcomb,EtatsUnis。

  \"Wm。L。Ainsworth,travailleur(hemeanttraveler,Isuppose,)EtatsUnis。

  \"GeorgeP。Mortonetfils,d\'Amerique。

  \"LloydB。Williams,ettroisamis,villedeBoston,Amerique。

  \"J。EllsworthBaker,toutdesuitedeFrance,placedenaissanceAmerique,destinationlaGrandBretagne。\"Ilovethissortofpeople。Aladypassengerofourstellsofafellow—citizenofherswhospenteightweeksinParisandthenreturnedhomeandaddressedhisdearestoldbosomfriendHerbertasMr。\"Er—bare!\"Heapologized,though,andsaid,\"\'Ponmysoulitisaggravating,butIcahn\'thelpit——IhavegotsousedtospeakingnothingbutFrench,mydearErbare——dammethereitgoesagain!——gotsousedtoFrenchpronunciationthatIcahn\'tgetridofit——itispositivelyannoying,Iassureyou。\"Thisentertainingidiot,whosenamewasGordon,allowedhimselftobehailedthreetimesinthestreetbeforehepaidanyattention,andthenbeggedathousandpardonsandsaidhehadgrownsoaccustomedtohearinghimselfaddressedasM\'sieuGor—r—dong,\"witharolltother,thathehadforgottenthelegitimatesoundofhisname!Heworearoseinhisbutton—hole;hegavetheFrenchsalutation——twoflipsofthehandinfrontoftheface;hecalledParisPairreeinordinaryEnglishconversation;hecarriedenvelopesbearingforeignpostmarksprotrudingfromhisbreast—pocket;hecultivatedamoustacheandimperial,anddidwhatelsehecouldtosuggesttothebeholderhispetfancythatheresembledLouisNapoleon——andinaspiritofthankfulnesswhichisentirelyunaccountable,consideringtheslimfoundationtherewasforit,hepraisedhisMakerthathewasashewas,andwentonenjoyinghislittlelifejustthesameasifhereallyhadbeendeliberatelydesignedanderectedbythegreatArchitectoftheUniverse。

  ThinkofourWhitcombs,andourAinsworthsandourWilliamseswritingthemselvesdownindilapidatedFrenchinforeignhotelregisters!WelaughatEnglishmen,whenweareathome,forstickingsosturdilytotheirnationalwaysandcustoms,butwelookbackuponitfromabroadveryforgivingly。

  ItisnotpleasanttoseeanAmericanthrustinghisnationalityforwardobtrusivelyinaforeignland,butOh,itispitiabletoseehimmakingofhimselfathingthatisneithermalenorfemale,neitherfish,flesh,norfowl——apoor,miserable,hermaphroditeFrenchman!

  Amongalonglistofchurches,artgalleries,andsuchthings,visitedbyusinVenice,Ishallmentiononlyone——thechurchofSantaMariadeiFrari。Itisaboutfivehundredyearsold,Ibelieve,andstandsontwelvehundredthousandpiles。InitliethebodyofCanovaandtheheartofTitian,undermagnificentmonuments。Titiandiedattheageofalmostonehundredyears。Aplaguewhichsweptawayfiftythousandliveswasragingatthetime,andthereisnotableevidenceofthereverenceinwhichthegreatpainterwasheld,inthefactthattohimalonethestatepermittedapublicfuneralinallthatseasonofterroranddeath。

  Inthischurch,also,isamonumenttothedogeFoscari,whosenameaonceresidentofVenice,LordByron,hasmadepermanentlyfamous。

  ThemonumenttothedogeGiovanniPesaro,inthischurch,isacuriosityinthewayofmortuaryadornment。Itiseightyfeethighandisfrontedlikesomefantasticpagantemple。AgainstitstandfourcolossalNubians,asblackasnight,dressedinwhitemarblegarments。Theblacklegsarebare,andthroughrentsinsleevesandbreeches,theskin,ofshinyblackmarble,shows。Theartistwasasingeniousashisfuneraldesignswereabsurd。Therearetwobronzeskeletonsbearingscrolls,andtwogreatdragonsupholdthesarcophagus。Onhigh,amidallthisgrotesqueness,sitsthedeparteddoge。

  IntheconventualbuildingsattachedtothischurcharethestatearchivesofVenice。Wedidnotseethem,buttheyaresaidtonumbermillionsofdocuments。\"Theyaretherecordsofcenturiesofthemostwatchful,observantandsuspiciousgovernmentthateverexisted——inwhicheverythingwaswrittendownandnothingspokenout。\"Theyfillnearlythreehundredrooms。Amongthemaremanuscriptsfromthearchivesofnearlytwothousandfamilies,monasteriesandconvents。ThesecrethistoryofVeniceforathousandyearsishere——itsplots,itshiddentrials,itsassassinations,itscommissionsofhirelingspiesandmaskedbravoes——food,readytohand,foraworldofdarkandmysteriousromances。

  Yes,IthinkwehaveseenallofVenice。Wehaveseen,intheseoldchurches,aprofusionofcostlyandelaboratesepulchreornamentationsuchasweneverdreamptofbefore。Wehavestoodinthedimreligiouslightofthesehoarysanctuaries,inthemidstoflongranksofdustymonumentsandeffigiesofthegreatdeadofVenice,untilweseemeddriftingback,back,back,intothesolemnpast,andlookinguponthescenesandminglingwiththepeoplesofaremoteantiquity。Wehavebeeninahalf—wakingsortofdreamallthetime。Idonotknowhowelsetodescribethefeeling。

  Apartofourbeinghasremainedstillinthenineteenthcentury,whileanotherpartofithasseemedinsomeunaccountablewaywalkingamongthephantomsofthetenth。

  Wehaveseenfamouspicturesuntiloureyesarewearywithlookingatthemandrefusetofindinterestinthemanylonger。Andwhatwonder,whentherearetwelvehundredpicturesbyPalmatheYoungerinVeniceandfifteenhundredbyTintoretto?AndbeholdthereareTitiansandtheworksofotherartistsinproportion。WehaveseenTitian\'scelebratedCainandAbel,hisDavidandGoliath,hisAbraham\'sSacrifice。WehaveseenTintoretto\'smonsterpicture,whichisseventy—fourfeetlongandIdonotknowhowmanyfeethigh,andthoughtitaverycommodiouspicture。Wehaveseenpicturesofmartyrsenough,andsaintsenough,toregeneratetheworld。

  Ioughtnottoconfessit,butstill,sinceonehasnoopportunityinAmericatoacquireacriticaljudgmentinart,andsinceIcouldnothopetobecomeeducatedinitinEuropeinafewshortweeks,Imaythereforeaswellacknowledgewithsuchapologiesasmaybedue,thattomeitseemedthatwhenIhadseenoneofthesemartyrsIhadseenthemall。Theyallhaveamarkedfamilyresemblancetoeachother,theydressalike,incoarsemonkishrobesandsandals,theyareallbaldheaded,theyallstandinaboutthesameattitude,andwithoutexceptiontheyaregazingheavenwardwithcountenanceswhichtheAinsworths,theMortonsandtheWilliamses,etfils,informmearefullof\"expression。\"Tomethereisnothingtangibleabouttheseimaginaryportraits,nothingthatIcangraspandtakealivinginterestin。IfgreatTitianhadonlybeengiftedwithprophecy,andhadskippedamartyr,andgoneovertoEnglandandpaintedaportraitofShakspeare,evenasayouth,whichwecouldallhaveconfidenceinnow,theworlddowntothelatestgenerationswouldhaveforgivenhimthelostmartyrintherescuedseer。IthinkposteritycouldhavesparedonemoremartyrforthesakeofagreathistoricalpictureofTitian\'stimeandpaintedbyhisbrush——suchasColumbusreturninginchainsfromthediscoveryofaworld,forinstance。TheoldmastersdidpaintsomeVenetianhistoricalpictures,andthesewedidnottireoflookingat,notwithstandingrepresentationsoftheformalintroductionofdefunctdogestotheVirginMaryinregionsbeyondthecloudsclashedratherharshlywiththeproprieties,itseemedtous。

  Buthumbleasweare,andunpretending,inthematterofart,ourresearchesamongthepaintedmonksandmartyrshavenotbeenwhollyinvain。Wehavestrivenhardtolearn。Wehavehadsomesuccess。Wehavemasteredsomethings,possiblyoftriflingimportintheeyesofthelearned,buttoustheygivepleasure,andwetakeasmuchprideinourlittleacquirementsasdootherswhohavelearnedfarmore,andwelovetodisplaythemfullaswell。Whenweseeamonkgoingaboutwithalionandlookingtranquillyuptoheaven,weknowthatthatisSt。Mark。Whenweseeamonkwithabookandapen,lookingtranquillyuptoheaven,tryingtothinkofaword,weknowthatthatisSt。Matthew。Whenweseeamonksittingonarock,lookingtranquillyuptoheaven,withahumanskullbesidehim,andwithoutotherbaggage,weknowthatthatisSt。Jerome。Becauseweknowthathealwayswentflyinglightinthematterofbaggage。Whenweseeapartylookingtranquillyuptoheaven,unconsciousthathisbodyisshotthroughandthroughwitharrows,weknowthatthatisSt。Sebastian。Whenweseeothermonkslookingtranquillyuptoheaven,buthavingnotrade—mark,wealwaysaskwhothosepartiesare。Wedothisbecausewehumblywishtolearn。WehaveseenthirteenthousandSt。Jeromes,andtwenty—twothousandSt。Marks,andsixteenthousandSt。Matthews,andsixtythousandSt。Sebastians,andfourmillionsofassortedmonks,undesignated,andwefeelencouragedtobelievethatwhenwehaveseensomemoreofthesevariouspictures,andhadalargerexperience,weshallbegintotakeanabsorbinginterestinthemlikeourcultivatedcountrymenfromAmerique。

  Nowitdoesgivemerealpaintospeakinthisalmostunappreciativewayoftheoldmastersandtheirmartyrs,becausegoodfriendsofmineintheship——friendswhodothoroughlyandconscientiouslyappreciatethemandareineverywaycompetenttodiscriminatebetweengoodpicturesandinferiorones——haveurgedmeformyownsakenottomakepublicthefactthatIlackthisappreciationandthiscriticaldiscriminationmyself。

  IbelievethatwhatIhavewrittenandmaystillwriteaboutpictureswillgivethempain,andIamhonestlysorryforit。IevenpromisedthatI

  wouldhidemyuncouthsentimentsinmyownbreast。Butalas!Inevercouldkeepapromise。Idonotblamemyselfforthisweakness,becausethefaultmustlieinmyphysicalorganization。Itislikelythatsuchaveryliberalamountofspacewasgiventotheorganwhichenablesmetomakepromises,thattheorganwhichshouldenablemetokeepthemwascrowdedout。ButIgrievenot。Ilikenohalf—waythings。Ihadratherhaveonefacultynoblydevelopedthantwofacultiesofmereordinarycapacity。I

  certainlymeanttokeepthatpromise,butIfindIcannotdoit。ItisimpossibletotravelthroughItalywithoutspeakingofpictures,andcanIseethemthroughothers\'eyes?

  IfIdidnotsodelightinthegrandpicturesthatarespreadbeforemeeverydayofmylifebythatmonarchofalltheoldmasters,Nature,Ishouldcometobelieve,sometimes,thatIhadinmenoappreciationofthebeautiful,whatsoever。

  ItseemstomethatwheneverIglorytothinkthatforonceIhavediscoveredanancientpaintingthatisbeautifulandworthyofallpraise,thepleasureitgivesmeisaninfallibleproofthatitisnotabeautifulpictureandnotinanywiseworthyofcommendation。ThisverythinghasoccurredmoretimesthanIcanmention,inVenice。Ineverysingleinstancetheguidehascrushedoutmyswellingenthusiasmwiththeremark:

  \"Itisnothing——itisoftheRenaissance。\"

  IdidnotknowwhatinthemischieftheRenaissancewas,andsoalwaysIhadtosimplysay,\"Ah!soitis——Ihadnotobserveditbefore。\"

  Icouldnotbeartobeignorantbeforeacultivatednegro,theoffspringofaSouthCarolinaslave。Butitoccurredtoooftenforevenmyself—complacency,didthatexasperating\"Itisnothing——itisoftheRenaissance。\"Isaidatlast:

  \"WhoisthisRenaissance?Wheredidhecomefrom?WhogavehimpermissiontocramtheRepublicwithhisexecrabledaubs?\"

  Welearned,then,thatRenaissancewasnotaman;thatrenaissancewasatermusedtosignifywhatwasatbestbutanimperfectrejuvenationofart。TheguidesaidthatafterTitian\'stimeandthetimeoftheothergreatnameswehadgrownsofamiliarwith,highartdeclined;thenitpartiallyroseagain——aninferiorsortofpainterssprangup,andtheseshabbypicturesweretheworkoftheirhands。ThenIsaid,inmyheat,thatI\"wishedtogoodnesshigharthaddeclinedfivehundredyearssooner。\"TheRenaissancepicturessuitmeverywell,thoughsoothtosayitsschoolweretoomuchgiventopaintingrealmenanddidnotindulgeenoughinmartyrs。

  TheguideIhavespokenofistheonlyonewehavehadyetwhoknewanything。HewasborninSouthCarolina,ofslaveparents。TheycametoVenicewhilehewasaninfant。Hehasgrownuphere。Heiswelleducated。

  Hereads,writes,andspeaksEnglish,Italian,Spanish,andFrench,withperfectfacility;isaworshipperofartandthoroughlyconversantwithit;knowsthehistoryofVenicebyheartandnevertiresoftalkingofherillustriouscareer。Hedressesbetterthananyofus,Ithink,andisdaintilypolite。Negroesaredeemedasgoodaswhitepeople,inVenice,andsothismanfeelsnodesiretogobacktohisnativeland。Hisjudgmentiscorrect。

  Ihavehadanothershave。Iwaswritinginourfrontroomthisafternoonandtryinghardtokeepmyattentiononmyworkandrefrainfromlookingoutuponthecanal。IwasresistingthesoftinfluencesoftheclimateaswellasIcould,andendeavoringtoovercomethedesiretobeindolentandhappy。Theboyssentforabarber。TheyaskedmeifIwouldbeshaved。

  IremindedthemofmytorturesinGenoa,Milan,Como;ofmydeclarationthatIwouldsuffernomoreonItaliansoil。Isaid\"Notanyforme,ifyouplease。\"

  Iwroteon。Thebarberbeganonthedoctor。Iheardhimsay:

  \"Dan,thisistheeasiestshaveIhavehadsincewelefttheship。\"

  Hesaidagain,presently:

  \"WhyDan,amancouldgotosleepwiththismanshavinghim。\"

  Dantookthechair。Thenhesaid:

  \"WhythisisTitian。Thisisoneoftheoldmasters。\"

  Iwroteon。DirectlyDansaid:

  \"Doctor,itisperfectluxury。Theship\'sbarberisn\'tanythingtohim。\"

  Myroughbeardweedistressingmebeyondmeasure。Thebarberwasrollinguphisapparatus。Thetemptationwastoostrong。Isaid:

  \"Holdon,please。Shavemealso。\"

  Isatdowninthechairandclosedmyeyes。Thebarbersoapedmyface,andthentookhisrazorandgavemearakethatwellnighthrewmeintoconvulsions。Ijumpedoutofthechair:Danandthedoctorwerebothwipingbloodofftheirfacesandlaughing。

  Isaiditwasamean,disgracefulfraud。

  Theysaidthatthemiseryofthisshavehadgonesofarbeyondanythingtheyhadeverexperiencedbefore,thattheycouldnotbeartheideaoflosingsuchachanceofhearingacordialopinionfrommeonthesubject。

  Itwasshameful。Buttherewasnohelpforit。Theskinningwasbegunandhadtobefinished。Thetearsflowedwitheveryrake,andsodidtheferventexecrations。Thebarbergrewconfused,andbroughtbloodeverytime。Ithinktheboysenjoyeditbetterthananythingtheyhaveseenorheardsincetheylefthome。

  WehaveseentheCampanile,andByron\'shouseandBalbi\'sthegeographer,andthepalacesofalltheancientdukesanddogesofVenice,andwehaveseentheireffeminatedescendantsairingtheirnobilityinfashionableFrenchattireintheGrandSquareofSt。Mark,andeatingicesanddrinkingcheapwines,insteadofwearinggallantcoatsofmailanddestroyingfleetsandarmiesastheirgreatancestorsdidinthedaysofVenetianglory。

  Wehaveseennobravoeswithpoisonedstilettos,nomasks,nowildcarnival;

  butwehaveseentheancientprideofVenice,thegrimBronzeHorsesthatfigureinathousandlegends。Venicemaywellcherishthem,fortheyaretheonlyhorsessheeverhad。Itissaidtherearehundredsofpeopleinthiscuriouscitywhoneverhaveseenalivinghorseintheirlives。Itisentirelytrue,nodoubt。

  Andso,havingsatisfiedourselves,wedepartto—morrow,andleavethevenerableQueenoftheRepublicstosummonhervanishedships,andmarshalhershadowyarmies,andknowagainindreamstheprideofheroldrenown。

  Chapter24

  SomeoftheQuakerCity\'spassengershadarrivedinVenicefromSwitzerlandandotherlandsbeforeweleftthere,andotherswereexpectedeveryday。

  Weheardofnocasualtiesamongthem,andnosickness。

  Wewerealittlefatiguedwithsightseeing,andsowerattledthroughagooddealofcountrybyrailwithoutcaringtostop。Itookfewnotes。

  IfindnomentionofBolognainmymemorandumbook,exceptthatwearrivedthereingoodseason,butsawnoneofthesausagesforwhichtheplaceissojustlycelebrated。

  Pistoiaawokebutapassinginterest。

  Florencepleasedusforawhile。IthinkweappreciatedthegreatfigureofDavidinthegrandsquare,andthesculpturedgrouptheycalltheRapeoftheSabines。WewanderedthroughtheendlesscollectionsofpaintingsandstatuesofthePittiandUfizzigalleries,ofcourse。Imakethatstatementinself—defense;thereletitstop。IcouldnotrestundertheimputationthatIvisitedFlorenceanddidnottraverseitswearymilesofpicturegalleries。WetriedindolentlytorecollectsomethingabouttheGuelphsandGhibelinesandtheotherhistoricalcut—throatswhosequarrelsandassassinationsmakeupsolargeashareofFlorentinehistory,butthesubjectwasnotattractive。Wehadbeenrobbedofallthefinemountainsceneryonourlittlejourneybyasystemofrailroadingthathadthreemilesoftunneltoahundredyardsofdaylight,andwewerenotinclinedtobesociablewithFlorence。Wehadseenthespot,outsidethecitysomewhere,wherethesepeoplehadallowedthebonesofGalileotorestinunconsecratedgroundforanagebecausehisgreatdiscoverythattheworldturnedaroundwasregardedasadamningheresybythechurch;andweknowthatlongaftertheworldhadacceptedhistheoryandraisedhisnamehighinthelistofitsgreatmen,theyhadstilllethimrotthere。ThatwehadlivedtoseehisdustinhonoredsepultureinthechurchofSantaCroceweowedtoasocietyofliterati,andnottoFlorenceorherrulers。WesawDanté\'stombinthatchurch,also,butweweregladtoknowthathisbodywasnotinit;thattheungratefulcitythathadexiledhimandpersecutedhimwouldgivemuchtohaveitthere,butneednothopetoeversecurethathighhonortoherself。MedicisaregoodenoughforFlorence。LetherplantMedicisandbuildgrandmonumentsoverthemtotestifyhowgratefullyshewaswonttolickthehandthatscourgedher。

  MagnanimousFlorence!Herjewelrymartsarefilledwithartistsinmosaic。

  Florentinemosaicsarethechoicestinalltheworld。Florencelovestohavethatsaid。Florenceisproudofit。Florencewouldfosterthisspecialtyofhers。Sheisgratefultotheartiststhatbringtoherthishighcreditandfillhercofferswithforeignmoney,andsosheencouragesthemwithpensions。Withpensions!Thinkofthelavishnessofit。Sheknowsthatpeoplewhopiecetogetherthebeautifultriflesdieearly,becausethelaborissoconfining,andsoexhaustingtohandandbrain,andsoshehasdecreedthatallthesepeoplewhoreachtheageofsixtyshallhaveapensionafterthat!Ihavenotheardthatanyofthemhavecalledfortheirdividendsyet。Onemandidfightalongtillhewassixty,andstartedafterhispension,butitappearedthattherehadbeenamistakeofayearinhisfamilyrecord,andsohegaveitupanddied。

  Theseartistswilltakeparticlesofstoneorglassnolargerthanamustardseed,andpiecethemtogetheronasleevebuttonorashirtstud,sosmoothlyandwithsuchniceadjustmentofthedelicateshadesofcolorthepiecesbear,astoformapigmyrosewithstem,thorn,leaves,petalscomplete,andallassoftlyandastruthfullytintedasthoughNaturehadbuildeditherself。Theywillcounterfeitafly,orahigh—tonedbug,ortheruinedColiseum,withinthecrampedcircleofabreastpin,anddoitsodeftlyandsoneatlythatanymanmightthinkamasterpaintedit。

  IsawalittletableinthegreatmosaicschoolinFlorence——alittletrifleofacentretable——whosetopwasmadeofsomesortofpreciouspolishedstone,andinthestonewasinlaidthefigureofaflute,withbell—mouthandamazycomplicationofkeys。Nopaintingintheworldcouldhavebeensofterorricher;noshadingoutofonetintintoanothercouldhavebeenmoreperfect;noworkofartofanykindcouldhavebeenmorefaultlessthanthisflute,andyettocountthemultitudeoflittlefragmentsofstoneofwhichtheysworeitwasformedwouldbankruptanyman\'sarithmetic!

  Idonotthinkonecouldhaveseenwheretwoparticlesjoinedeachotherwitheyesofordinaryshrewdness。Certainlywecoulddetectnosuchblemish。Thistable—topcostthelaborofonemanfortenlongyears,sotheysaid,anditwasforsaleforthirty—fivethousanddollars。

  WewenttotheChurchofSantaCroce,fromtimetotime,inFlorence,toweepoverthetombsofMichaelAngelo,RaphaelandMachiavelli,(Isupposetheyareburiedthere,butitmaybethattheyresideelsewhereandrenttheirtombstootherparties——suchbeingthefashioninItaly,)andbetweentimesweusedtogoandstandonthebridgesandadmiretheArno。ItispopulartoadmiretheArno。Itisagreathistoricalcreekwithfourfeetinthechannelandsomescowsfloatingaround。Itwouldbeaveryplausibleriveriftheywouldpumpsomewaterintoit。Theyallcallitariver,andtheyhonestlythinkitisariver,dothesedarkandbloodyFlorentines。Theyevenhelpoutthedelusionbybuildingbridgesoverit。

  Idonotseewhytheyaretoogoodtowade。

  Howthefatiguesandannoyancesoftravelfillonewithbitterprejudicessometimes!ImightenterFlorenceunderhappierauspicesamonthhenceandfinditallbeautiful,allattractive。ButIdonotcaretothinkofitnow,atall,norofitsroomyshopsfilledtotheceilingwithsnowymarbleandalabastercopiesofallthecelebratedsculpturesinEurope——copiessoenchantingtotheeyethatIwonderhowtheycanreallybeshapedlikethedingypetrifiednightmarestheyaretheportraitsof。IgotlostinFlorenceatnineo\'clock,onenight,andstaidlostinthatlabyrinthofnarrowstreetsandlongrowsofvastbuildingsthatlookallalike,untiltowardthreeo\'clockinthemorning。Itwasapleasantnightandatfirsttherewereagoodmanypeopleabroad,andtherewerecheerfullightsabout。

  Later,Igrewaccustomedtoprowlingaboutmysteriousdriftsandtunnelsandastonishingandinterestingmyselfwithcomingaroundcornersexpectingtofindthehotelstaringmeintheface,andnotfindingitdoinganythingofthekind。Laterstill,Ifelttired。Isoonfeltremarkablytired。

  Buttherewasnooneabroad,now——notevenapoliceman。IwalkedtillI

  wasoutofallpatience,andveryhotandthirsty。Atlast,somewhereafteroneo\'clock,Icameunexpectedlytooneofthecitygates。IknewthenthatIwasveryfarfromthehotel。ThesoldiersthoughtIwantedtoleavethecity,andtheysprangupandbarredthewaywiththeirmuskets。Isaid:

  \"Hoteld\'Europe!\"

  ItwasalltheItalianIknew,andIwasnotcertainwhetherthatwasItalianorFrench。Thesoldierslookedstupidlyateachotherandatme,andshooktheirheadsandtookmeintocustody。IsaidIwantedtogohome。

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