In the South Seas

第36章

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第36章

In the South Seas Robert Louis Stevenson

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In the South Seas
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  [Musicalnotationwhichcannotbeproduced。Itmeanstwo/fourtimewithquaver,quaver,crotchetrepeatedforthreebars。]

  Itisdifficulttoconceivewhatfireanddevilrytheygetintothesehammeringfinales;allgotogether,voices,hands,eyes,leaves,andflutteringfinger-rings;thechorusswingstotheeye,thesongthrobsontheear;thefacesareconvulsedwithenthusiasmandeffort。

  Presentlythetroopstoodupinabody,thedrumsformingahalf-

  circleforthesoloists,whoweresometimesfiveorevenmoreinnumber。Thesongsthatfollowedwerehighlydramatic;thoughIhadnonetogivemeanyexplanation,Iwouldattimesmakeoutsomeshadowybutdecisiveoutlineofaplot;andIwascontinuallyremindedofcertainquarrelsomeconcertedscenesingrandoperasathome;justsothesinglevoicesissuefromandfallagainintothegeneralvolume;justsodotheperformersseparateandcrowdtogether,brandishtheraisedhand,androlltheeyetoheaven-orthegallery。AlreadythisisbeyondtheThespianmodel;theartofthispeopleisalreadypasttheembryo:song,dance,drums,quartetteandsolo-itisthedramafulldevelopedalthoughstillinminiature。Ofallso-calleddancingintheSouthSeas,thatwhichIsawinButaritaristandseasilythefirst。TheHULA,asitmaybeviewedbythespeedyglobe-trotterinHonolulu,issurelythemostdullofman’sinventions,andthespectatoryawnsunderitslengthasatacollegelectureoraparliamentarydebate。ButtheGilbertIslanddanceleadsonthemind;itthrills,rouses,subjugates;ithastheessenceofallart,anunexploredimminentsignificance。Wheresomanyareengaged,andwhereallmustmakeatagivenmomentthesameswift,elaborate,andoftenarbitrarymovement,thetoilofrehearsalisofcourseextreme。Buttheybeginaschildren。Achildandamanmayoftenbeseentogetherinamaniap’:themansingsandgesticulates,thechildstandsbeforehimwithstreamingtearsandtremulouslycopieshiminactandsound;itistheGilbertIslandartistlearningasallartistsmusthisartinsorrow。

  Imayseemtopraisetoomuch;hereisapassagefrommywife’sdiary,whichprovesthatIwasnotaloneinbeingmoved,andcompletesthepicture:-’Theconductorgavethecue,andallthedancers,wavingtheirarms,swayingtheirbodies,andclappingtheirbreastsinperfecttime,openedwithanintroductory。Theperformersremainedseated,excepttwo,andoncethree,andtwiceasinglesoloist。Thesestoodinthegroup,makingaslightmovementwiththefeetandrhythmicalquiverofthebodyastheysang。

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