TONO-BUNGAY

第19章

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第19章

TONO-BUNGAY H。 G。 Wells

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  havegonetoandfroinLondonincertainregionsconstantlythethoughthasrecurredthisisBladesoverHouse,thisanswerstoBladesoverHouse。Thefinegentrymayhavegone;theyhaveindeedlargelygone,Ithink;richmerchantsmayhavereplacedthem,financialadventurersorwhatnot。Thatdoesnotmatter;

  theshapeisstillBladesover。

  IammostremindedofBladesoverandEastrybyallthoseregionsroundabouttheWestEndparks;forexample,estateparks,eachmoreorlessinrelationtoapalaceorgroupofgreathouses。

  TheroadsandbackwaysofMayfairandallaboutSt。James’sagain,albeitperhapsofalatergrowthinpointoftime,wereoftheveryspiritandarchitecturaltextureoftheBladesoverpassagesandyards;theyhadthesamesmells,thespace,thelargecleanestandalwaysgoingtoandfrowhereonemetunmistakableOlympiansandevenmoreunmistakablevalets,butlers,footmeninmufti。ThereweremomentswhenIseemedtoglimpsedownareasthewhitepanelling,theverychintzofmymother’sroomagain。

  IcouldtraceoutnowonamapwhatIwouldcalltheGreat-Houseregion;passingsouth-westwardintoBelgravia,becomingdiffusedandsporadicwestward,findingitslastsystematicoutbreakroundandaboutRegent’sPark。TheDukeofDevonshire’splaceinPiccadilly,inallitsinsolentugliness,pleasesmeparticularly;itisthequintessenceofthething;ApsleyHouseisallinthemannerofmytheory,ParkLanehasitsquitetypicalmansions,andtheyrunalongtheborderoftheGreenParkandSt。James’s。AndIstruckoutatruthonedayinCromwellRoadquitesuddenly,asIlookedovertheNaturalHistoryMuseum“ByJove。”saidI“butthisisthelittleassemblageofcasesofstuffedbirdsandanimalsupontheBladesoverstaircasegrownenormous,andyonderasthecorrespondingthingtotheBladesovercuriosandporcelainistheArtMuseumeandthereinthelittleobservatoriesinExhibitionRoadisoldSirCuthbert’sGregoriantelescopethatIhuntedoutinthestoreroomandputtogether。”AnddivingintotheArtMuseumunderthisinspiration,Icametoalittlereading-roomandfoundasIhadinferred,oldbrownbooks!

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