The Works of Edgar Allan Poe

第68章

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第68章

The Works of Edgar Allan Poe Edgar Allan Poe

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The Works of Edgar Allan Poe
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  “Now。”saidmyfriend,“whatweregardasexaltationofthelandscapemaybereallysuch,asrespectsonlythemoralorhumanpointofview。Eachalterationofthenaturalscenerymaypossiblyeffectablemishinthepicture,ifwecansupposethispictureviewedatlargeinmassfromsomepointdistantfromtheearth’ssurface,althoughnotbeyondthelimitsofitsatmosphere。Itiseasilyunderstoodthatwhatmightimproveacloselyscrutinizeddetail,mayatthesametimeinjureageneralormoredistantlyobservedeffect。

  Theremaybeaclassofbeings,humanonce,butnowinvisibletohumanity,towhom,fromafar,ourdisordermayseemorderourunpicturesquenesspicturesque,inaword,theearth-angels,forwhosescrutinymoreespeciallythanourown,andforwhosedeathrefinedappreciationofthebeautiful,mayhavebeensetinarraybyGodthewidelandscape-gardensofthehemispheres。”

  Inthecourseofdiscussion,myfriendquotedsomepassagesfromawriteronlandscape-gardeningwhohasbeensupposedtohavewelltreatedhistheme:

  “Thereareproperlybuttwostylesoflandscape-gardening,thenaturalandtheartificial。Oneseekstorecalltheoriginalbeautyofthecountry,byadaptingitsmeanstothesurroundingscenery,cultivatingtreesinharmonywiththehillsorplainoftheneighboringland;detectingandbringingintopracticethosenicerelationsofsize,proportion,andcolorwhich,hidfromthecommonobserver,arerevealedeverywheretotheexperiencedstudentofnature。Theresultofthenaturalstyleofgardening,isseenratherintheabsenceofalldefectsandincongruitiesintheprevalenceofahealthyharmonyandorderthaninthecreationofanyspecialwondersormiracles。Theartificialstylehasasmanyvarietiesastherearedifferenttastestogratify。Ithasacertaingeneralrelationtothevariousstylesofbuilding。TherearethestatelyavenuesandretirementsofVersailles;Italianterraces;andavariousmixedoldEnglishstyle,whichbearssomerelationtothedomesticGothicorEnglishElizabethanarchitecture。Whatevermaybesaidagainsttheabusesoftheartificiallandscapegardening,amixtureofpureartinagardensceneaddstoitagreatbeauty。Thisispartlypleasingtotheeye,bytheshowoforderanddesign,andpartlymoral。Aterrace,withanoldmosscoveredbalustrade,callsupatoncetotheeyethefairformsthathavepassedthereinotherdays。Theslightestexhibitionofartisanevidenceofcareandhumaninterest。”

  “FromwhatIhavealreadyobserved。”saidEllison,“youwillunderstandthatIrejecttheidea,hereexpressed,ofrecallingtheoriginalbeautyofthecountry。Theoriginalbeautyisneversogreatasthatwhichmaybeintroduced。Ofcourse,everythingdependsontheselectionofaspotwithcapabilities。Whatissaidaboutdetectingandbringingintopracticenicerelationsofsize,proportion,andcolor,isoneofthosemerevaguenessesofspeechwhichservetoveilinaccuracyofthought。Thephrasequotedmaymeananything,ornothing,andguidesinnodegree。Thatthetrueresultofthenaturalstyleofgardeningisseenratherintheabsenceofalldefectsandincongruitiesthaninthecreationofanyspecialwondersormiracles,isapropositionbettersuitedtothegrovellingapprehensionoftheherdthantotheferviddreamsofthemanofgenius。Thenegativemeritsuggestedappertainstothathobblingcriticismwhich,inletters,wouldelevateAddisonintoapotheosis。

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