A Defence of Poesie and Poems

第4章

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第4章

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A Defence of Poesie and Poems
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  Now,{96}ofversifyingtherearetwosorts,theoneancient,theothermodern;theancientmarkedthequantityofeachsyllable,andaccordingtothatframedhisverse;themodern,observingonlynumber,withsomeregardoftheaccent,thechieflifeofitstandethinthatlikesoundingofthewords,whichwecallrhyme.

  Whetherofthesebethemoreexcellent,wouldbearmanyspeeches;

  theancient,nodoubtmorefitformusic,bothwordsandtimeobservingquantity;andmorefitlivelytoexpressdiverspassions,bytheloworloftysoundofthewell-weighedsyllable.Thelatter,likewise,withhisrhymestrikethacertainmusictotheear;and,infine,sinceitdothdelight,thoughbyanotherway,itobtaineththesamepurpose;therebeingineither,sweetness,andwantinginneither,majesty.TrulytheEnglish,beforeanyvulgarlanguageI

  know,isfitforbothsorts;for,fortheancient,theItalianissofullofvowels,thatitmusteverbecumberedwithelisions.TheDutchso,oftheotherside,withconsonants,thattheycannotyieldthesweetslidingfitforaverse.TheFrench,inhiswholelanguage,hathnotonewordthathathhisaccentinthelastsyllable,savingtwo,calledantepenultima;andlittlemore,haththeSpanish,andthereforeverygracelesslymaytheyusedactiles.

  TheEnglishissubjecttononeofthesedefects.

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